Monday, July 5, 2010

Being Pretty

(from my Let's Go blog)

This is one of those delicate topics where I’ll have to tread the line between vanity and annoyingly overcompensating humility. But in Italy, I am really pretty.

Save your protestations, loyal friends who will insist that I am pretty at home too. Reserve your judgment, skeptical strangers eyeballing my mugshot. I know what league I’m in at home. And I’ve just been bumped up a notch.

It’s not simply run-of-the-mill flirting I’m talking about. That I could chalk up to Italian men being infinitely more forward than Harvard men. Hell, glaciers are more forward than Harvard men.

No, it’s the freebies that show I’m really punching above my weight. The old men at Trattoria Mario who flagged the waitress to have me seated at their table and were disappointed when I returned with my prettier-by-American-standards girlfriends. My inability to do efficient nightlife research because the free drinks offered at each establishment leave me stumbling door to door like the Prophet Elijah. The museum guard who asked me out minutes after the other guard in the gallery did likewise, sparking a minor controversy regarding docent decency.

I guess it comes from looking sorta Italian, but not quite. My European friends tell me that Jewish looks are “exotic” overseas. This girl from NY never counted her hook nose as an asset before and certainly wouldn’t have expected it to go over any different in a former Axis power, but shows what she knows. Get it, nose/knows? Okay, they still don’t love my Jewish father sense of humor, but I’m working on it.

Last week, I latched on to a couple American guys whose companionship I had to earn the old-fashioned way – jeez, peanut gallery, I mean through mutual interests and bad jokes – and their presence dried up the attention. Honestly, it was a relief to go back to being conspicuous only for the normal reason: talking too loudly.

So it was a shock all over again today when the attention resumed. I stepped under the awning of a restaurant to avoid a sudden downpour, and a man came out of the restaurant to hail a taxi.

“Come with me,” he said. We had not yet exchanged a word.

“What?”

“I am going to my other restaurant by the Duomo. I own this one, and a couple others.”

“Um.”

“Come, we will have cappuccino at the other place, and then we’ll come back here and have lunch.”

See? This does not happen to me at home. And at home I don’t even consider getting in taxis with complete strangers. But I was hungry. And, well, it was raining.

So what the hell. Might as well enjoy it while it lasts. I got in the cab.

Read more: http://www.letsgo.com/article/2567-being-pretty#ixzz17VHgcp7V

Thursday, July 1, 2010

The good parts

(from my Let's Go blog)

You really can't complain about this job. I don't mean that there's nothing to complain about. I'm working 14 hour days, my knees, hips, and back scream in protest every time I force them to walk up and down the city in search of yet another poorly-signposted hotel, and the Renaissance is getting really, really old. I got my complaints.

I mean I literally cannot complain about my job. Because I will get punched in the face.

Metaphorically, that is. No one has yet punched me. But mentioning any of the negatives—the hours, the stress, the loneliness, the physical test—generally results in the reaction you are probably having right now: "Oh, you poooor baby. Are they making you eat too many cannolis? Wah wah, your life is soooo hard."

And they have a point. Because the crappy parts are not nearly so crappy as the awesome parts are awesome. And when you're belting
"O Mio Bambino Caro" in unison in the basement of a tiny Florentine trattoria with a dozen opera students and a half dozen old Italian men, or standing on the balcony of a 12th century hilltop monastery at dawn to watch the sun rise on the city below, this job ain't half bad.



Read more: http://www.letsgo.com/article/2399-the-good-parts#ixzz17VI7kDyx

Sphenisciphobia

(from my Let's Go blog)

I understand now why people are afraid of nuns.

When the lady at the San Gimignano tourist office told me about the convent's dorms, I got my fingers ready to give this find a coveted Let's Go thumbs-up. It took me three visits to actually find a nun at the desk, and a little while longer for her to understand my rote-memorized Italian for "may I have a look around?" Eventually, she waved me upstairs, and I got to see a bit of convent life.

I found a long hallway of empty, sparse dorm rooms adorned with surprisingly tasteful Virgins. Not bad, not bad. I took a different staircase down and emerged in another hall of dorms - these clearly inhabited by persons of the cloth. Outside was a gorgeous stone courtyard with a huge old well, still in operation. I suspected that I had ventured out of bounds, but the place was empty. So I had a poke around.

Now, I am a big fan of trespassing. Sure, sometimes you get yelled at. But sometimes you make a great find. This time, I'd found a fully operational 12th-century Italian convent.

There was a chapel, of course. I bumped my head on the ceiling going in - 12th-century nuns were short - and discovered the entrance to the cloister. The convent is on the edge of San Gimignano, a mountaintop city, and to my amazement, the cloister had a postcard-perfect view of the city center's towers.

Just then the sky rumbled. And before you could say "one Mississippi" a lightning bolt had brightened the dark sky. And as every grade schooler knows, that means the storm is here. I ducked back into the convent by another door, just as a burst of sharp rain came tumbling out of the sky. At this point, I had no idea where in the apparently immense convent I was, but that wasn't going to stop me from continuing my exploration. Thunder shook the walls. A line of elderly nuns passed by in habits, probably to go sing "My Favorite Things" with the Reverend Mother, but that wasn't going to stop me either. Then one of them noticed me.

So, turns out trespassing is less fun when you can't speak the language. Normally, when an enormous old nun asks me what I'm doing, I smile and make up some convincing story, probably flashing one of my several persuasive ID cards for good measure. It worked on the monk at Westminster Abbey who put me on the list for Darwin's birthday party last year. But this nun? This nun questioned me in Italian. And I could respond with nothing better than, "Huh?"

And then I am being dragged - literally dragged, by the arm - through the convent by a very large, very angry nun shouting at me in rapid Italian. I catch words like "privato" and "vietato" but am at a loss to respond, and it doesn't seem like a great time to pull out the press pass. She yanks me all the way to the front gate. With a good shove, I am thrown out of the convent and into the rain.

I meant no offense. Nun: taken.



Read more: http://www.letsgo.com/article/2644-sphenisciphobia#ixzz17VGv02ws

Monday, June 28, 2010

An open letter to Tuscany regarding the matter of cosplay

Dear Tuscany,

You have a very proud culture. Your personal identity is closely tied to your regional loyalties. I get it. I mean, I basically grew up in a suburban strip mall, so I don't get it get it. I do empathize. But dear, dear Tuscany, you've taken it too far. It's time for us to have The Talk. The Talk about cosplay.

Now, now. Don't start sputtering about heritage this, tradition that. I have seen far too many grown men in moth-eaten Ren Faire cast-offs this month to buy that line. Clearly, you just do this because you like it. And that's great! More power to you.

But there is a time and a place for every time and place. So here, my Tuscan friends, are some basic rules for anachronistic dress-up time.

Rule #1: You may only dress anachronistically in routine life if the style is from a decade in which Hitchcock made films. Fedoras are hot. Top hats are not.

Exception to Rule #1: Ironic mid-'90s garb.

Rule #2: Attire from decades and centuries not covered by Rule #1 are acceptable on the following occasions:
- Halloween, Carnivale, Purim, etc.
- Theme parties
- Before your 12th birthday

Rule #3: Not all styles work for all people. Perhaps everyone in 1590 wore tights. Well, maybe you should pretend you're in 1570 instead. There's a century for every body type, my Raphaelite friends.

Rule #4: Comic book conventions and Ren Faires. And, specially for you Tuscany, major festivals. I said MAJOR. That means once annually. Comic Con is once a year. The NY Ren Faire is once a year. You can restrain yourselves from parading down the street in pantaloons at least as well as the convention cosplayers, can't you?

Exception to all rules: Waistcoats. Waistcoats are always OK.

Second exception to all rules: Hot chicks. Hot chicks are also always OK.



Read more: http://www.letsgo.com/article/2604-an-open-letter-to-tuscany-regarding-the-matter-of-cosplay#ixzz17VHJ7FN5

Tuesday, April 27, 2010

Italia!

After procrastinating on it for all of undergrad, I am finally traveling for Let's Go this summer. I will be writing the Tuscany section of Let's Go: Italy 2011. Exciting!

Although the travel guide won't be on shelves til the winter, I'll be officially blogging on the Let's Go website as well - you can find my Italy stories here.

Ciao!

Sunday, April 25, 2010

LOST in Translation

(from my Let's Go blog)

I had a brief moment of panic yesterday. Harvard is forcing me to graduate, again, and I haven't the foggiest idea what I'm doing with my life after Let's Go. But this is not why I panicked.

I panicked because I realized I would be in Italy for the finale of LOST.

This is actually a big deal. What would I do? Where would I watch? With whom would I cheer the improbable success or inevitable disappointment of the finale? I'm not even that big of a LOSTie - I just caught up this fall, marathoning the first five seasons so I could watch the last season with the rest of the world. It’s, like, a cultural moment and stuff, right?

That marathon would be all for naught if I missed the finale, so I began to brainstorm. Maybe there's a LOST fan club in Florence! Maybe I could advertise on Craigslist to find somewhere to watch! Maybe I could hang signs in every hostel to rally the other misplaced LOSTies to storm an internet café!

And then I actually got a little excited. What better excuse to round up random strangers and make them hang out with me? Adventure! I began to tell my housemate – a far more serious LOSTie than myself – about my plan to mobilize the lost LOSTies of Florence via social media and Dharma Initiative graffiti. I was just getting to the part where I would unearth secret fans with each handshake by writing NOT PENNY’S BOAT on my palm, when he stopped me.

“You’re leaving May 29, right?”
“Yeah.”
“The finale is on the 25th.”
“…Oh.”

Bummer. It’s okay though. The Doctor Who finale isn’t until mid-June.

Read more: http://www.letsgo.com/profile/LizWeinbloom?page=4#ixzz17VIPufEt

Sunday, April 18, 2010

Silent Mob at HMNH

Running an event at the Harvard Museum of Natural History next Sunday, check it out!

Website: www.silentmob.wordpress.com

Facebook event (join to receive updates)

Monday, April 12, 2010

I have now gotten lost en route to Brookline via every conceivable form of transportation. Bus, different bus, T, bus + foot, car, and now finally bicycle. The options have been exhausted! Come back, Sleep No More! I know how to find you now!

I'm pretty sure I circumnavigated the entirety of Allston and Brookline. On the plus side, my T9 now knows how to recognize the word "circumnavigated."

Thursday, April 8, 2010

Today, I am in the letters section of the NY Times. Glad to know my useless superpower is still in fine operating condition.

My letter

Amusingly, you can follow my entire academic/career trajectory to date through my Times letters. Standardized testing, college apps, freshman-style social awareness, Sesame Street, PBS Kids, and now internships. Also throw in there the one about the X-Files, and my mother's about paying for college tuition, and you have a pretty good record of my life in the Grey Lady. You're welcome, Future Biographers!

Wednesday, April 7, 2010

So hey. For the next week, I'm apparently called Anna and have Elle Woods as my blogger image. Sorry about that. I'm designing a pervasive game for a course, and for the next week I am running a demo version. And stupidly I didn't think to create a new google account before starting a Blogger account for the main character. Whoops.

If you're curious, the demo is based at HarvardiAnna. Feel free to check it out* and let me know your thoughts, though remember that this is a very very early beta that is more a proof-of-concept than anything else. It is an Alternate Reality Game designed to complement Harvard's freshman orientation.

*previously this post said Harvard affiliates could feel free to participate, but I am amending that. If you are or were an undergrad at Harvard, please do give me your thoughts but don't post answers - the puzzles are designed for Harvard neophytes. Thanks!

Tuesday, April 6, 2010


Today I learned that my dear friend Gracie's wedding got written up in Offbeat Brides. This is cooler than getting in the Times! My bar for wedding awesomeness is officially set.

Offbeat Bride | Grace & Mike's hat-tastic church wedding, with a pirate cruise reception

(I am the creator of the mentioned sign-in book)


In similar news of awesomeness, my sister is in a show that just got panned by the New Yorker. Panned by the New Yorker! That's some high-profile panning right there. I couldn't be more impressed if they'd actually liked the show.
Caligula Maximus at La Mama

Monday, April 5, 2010

Today I learned how gas stoves work! Or at any rate, where they keep their pilot light.

I also learned that I don't notice the smell of gas until it has given me a splitting headache. Fail.

Wednesday, March 31, 2010

A Passover Pageant

Jeremy: There are sections of the haggadah that, quite frankly, could use a polish.
Dan: You're gonna do a rewrite on the haggadah?
Jeremy: It's not written in stone, Dan.
Dan: Actually, some of it is.
- Sports Night


I wrote a Passover pageant, for the story-telling portion of my all-Gentiles seder. It went over rather well. Enjoy, and feel free to use/re-post, with credit.

NARRATOR: Previously, in Genesis:

GOD: It sure is dark in here... claps twice Hey, that worked!

ABRAHAM: Man, I can't keep track of all these gods, can't I consolidate all my worship into one easy deity?

GOD: Sure!

ABRAHAM: Yay!

GOD: Although, not so much with the easy. Go kill your son Isaac.

ABRAHAM: What??

GOD: J/k, j/k! Chill out, theologians.

ISAAC: I'm a pretty passive figure, overall. Jacob, Esau, what are you boys doing?

JACOB: Just stealing Esau's birthright, Dad!

ESAU: Do you have any idea how badly I want to kill you?

RANDOM ANGEL: Me too! I am so not on Team Jacob. Let's wrestle. On a ladder. Just because.

JACOB: Whatever, I am Israel, I can do whatever I want. C'mon, wives, let's get cracking on this “descendants as plentiful as the stars” business, if you know what I mean.

JOSEPH: Hey guys! I had this dream that you were all bundles of grain and you were bowing down to me! Isn't that funny guys? Why are you throwing me in this hole? Did someone take my technicolor dreamcoat? Hey guys? Guys?

POTIPHAR'S WIFE: You there! Slave boy! How you doin'?

JOSEPH: Err...

JOSEPH'S PHAROAH: Man, these weird dreams suck. I wonder if there's anyone locked in my dungeon who can interpret them for me.

JOSEPH: Me! Me me me! So either there's going to be 7 years of plenty and 7 years of famine, or you want to bone your mother. 5 cents, please.

JOSEPH'S PHAROAH: Such low rates!

JOSEPH: For you, I make a deal. Now let's talk royalties.

NARRATOR: And so Joseph became the Pharoah's chief of staff, and invited Jacob, Joseph's asshole brothers, and 70 other free-loading relatives to shlep down to Egypt and settle in the land of Goshen. Several hundred years pass, and the Hebrews, as we are now calling them for some reason, have been fruitful and multiplied. Then there came a pharoah who knew not Joseph...

PHAROAH: I know not Joseph, but I do know that all these pesky Hebrews are really ruining the neighborhood.

ROYAL BUTLER: You can't kick them out, sir; they've got rent control.

PHAROAH: Bah! Might as well make them useful, then. What are they good at?

BUTLER: Nothing very useful, sir. Comedy writing, standardized tests, and kvetching.

PHAROAH: Well, let's give them something to kvetch about. This view of the Nile would look a lot nicer with some big pointy brick things, don't you think?

NARRATOR: So the Hebrews became slaves, which wasn't exactly a picnic, so they just kept on having children so that they'd have someone to complain to.

BUTLER: Sir, the Hebrews still won't go away. They're just packing more children into their huts.

PHAROAH: They'll never give up a nice deal like Goshen as long as they have kids who can inherit it. Tell the midwives Shifrah and Puah to kill every baby boy born to a Hebrew woman.

SHIFRAH: What??

PUAH: This job blows.

SHIFRAH: I so didn't sign up for this.

PUAH: Let's tell Pharoah that the Hebrew women are unnaturally vigorous and give birth before we can get there. The ruling class always likes to hear that the disenfranchised are hardy and animalistic.

SHIFRAH: Sweet.

NARRATOR: Thanks to Shifrah and Puah, a Hebrew woman named Yochevet gave birth to a baby boy and was able to hide him from the authorities. But after a few months he was too big to hide, so with great sadness, she put the baby in a basket and floated it down the Nile. The baby's sister Miriam hid among the bulrushes to see what would happen to her little brother.

PHAROAH'S DAUGHTER: Hey look, a basket! With a baby in it! Aww, can I keep it?

MIRIAM: But you'd have to nurse it and take care of it and stuff.

P's DAUGHTER: Oh. Well, am I a princess or am I a princess? I'll hire someone.

MIRIAM: I know just the woman for the job.

NARRATOR: So Yochevet was hired to nurse her own son, which is a pretty great scam, and though Moses grew up in the court of the pharoah, he never forgot his birth mother's teachings. One day, Moses was slumming it in Goshen, and he saw a slavedriver cruelly whipping a Hebrew.

MOSES: Dude, relax.

SLAVEDRIVER: Relax? I've got production deadlines to meet, and these lazy Hebrews aren't meeting their brick-baking quota, and you're telling me to relax?

MOSES: Maybe if you were a little nicer to them...

SLAVEDRIVER: “Nice” doesn't get you bargain rate pyramids, mister. Or did you never think about where all your fancy papyrus comes from?

NARRATOR: He hadn't, actually, and so Moses did what any privileged young man would do when confronted with the source of his privilege – blamed someone else and killed the slavedriver.

MOSES: Uh oh.

NARRATOR: So he skedaddled the hell out of Egypt and had a nice long wander in the desert, before coming across a lovely shiksa named Zipporah.

ZIPPORAH: Hey, stranger. New to this strange land?

MOSES: Sure am.

NARRATOR: And Moses spent a couple decades chilling with the Bedouins. Meanwhile, things kinda sucked for the Hebrews.

ALL: Grumble grumble grumble grumble

NARRATOR: But God heard their grumbling. One day, Moses was chilling with his sheep at the foot of Mount Sinai, when the mountain went all lightning-y. When Moses reached the summit, he found a bush that burned with flame, yet was not consumed.

MOSES: Awe-some.

GOD: Moses, Moses.

MOSES: Here I am!

GOD: Take off your shoes. I just vacuumed the holy ground.

MOSES: Who are you?

GOD: I want you to go into Egypt and tell Pharoah to let my people go.

MOSES: Okay great, but who are you?

GOD: I Am Who I Am.

MOSES: But who should I tell Pharoah has sent me?

GOD: I Am Who I Am.

MOSES: That's... not very grammatical.

GOD: No, it's tetragrammatical! Zing!

MOSES: Oh god.

GOD: Yes?

MOSES: Listen, can't you get someone else to do this? I'm busy. I have to... shampoo my sheep.

GOD: Moses.

MOSES: No seriously. I am slow of tongue. I mean, sloooww offff toooongggguuuueeee...

GOD: Get your brother Aaron to talk for you. He was always the cute one.

NARRATOR: Moses went back to Egypt and found Aaron, who was in fact the cute one, and they marched in to Pharoah's palace and said:

AARON: Let my people go!

PHAROAH: No.

AARON: Oh. Please?

P's DAUGHTER: Okay!

PHAROAH: No.

MOSES: Psst, Aaron! Try the staff thing.

NARRATOR: Aaron raised his staff over the Nile, and the water turned to blood. Or red like blood. Depending who you ask. Either way, for seven days and nights it was pretty nasty stuff. But the Pharoah's magicians were also able to turn water into red stuff, so Pharoah was unimpressed.

PHAROAH: Moses, Moses, Moses. What else have you got?

NARRATOR: Next, Aaron summoned up a plague of frogs. Hundreds, thousands of frogs, hopping all over Egypt on their little frog legs. But the magicians could pull frogs out of their hat too, and Pharoah's heart was hardened. Next came gnats, which are really gross.

PHAROAH: Ew ew ew! Make them go away! Make them go away and you can leave!

NARRATOR: But God hardened Pharoah's heart, which is one of those problematic translation things that I'm just gonna skip right over, and everyone went back to the drawing board. There were flies, and cattle disease, and boils. Then shit got real. It hailed great big hailstones that burst into flame. Locusts came and nommed all the crops. And Moses stretched out his hand and--

MOSES: claps twice

NARRATOR: --drew a darkness over Egypt for three days.

BUTLER: Okay, sir? I'm covered in boils, there's nothing to eat, and I keep walking into frog carcasses because I can't see where I'm going. Let those people go.

PHAROAH: Sorry, my heart's been hardened. Out of my hands.

AARON: Alright, but listen. This last plague's not going to be pretty.

NARRATOR: God spoke to Moses and Aaron, and gave them a shopping list which has changed little in five thousand years, with the same old bitter herbs and unleavened bread, along with a nice dab of lamb's blood for the doorway so that the angel of death would pass over their house. And at midnight, the angel of death swept through the land of Egypt, and slew the first-born of all the Egyptians.

PHAROAH: Get out! Out out out! Scram! Beat it!

AARON: Kthxbai!

BUTLER: You're not going to harden your heart again, right sir?

PHAROAH: Well... I do have all these annoying unfinished pyramids... And that Sphinx could sure use a nose.

BUTLER: Which you'll want the Israelites for, obviously! ...It's funny because they have big noses.

PHAROAH: To the chariots!

NARRATOR: Meanwhile, the Israelites had reached the Red Sea.

MOSES: Huh.

MIRIAM: This doesn't look good. Do we ford the river?

PHAROAH: I'm coming for you, Israel!

MOSES: I guess we're not waiting to see if conditions improve. Onwards!

NARRATOR: And Moses raised his staff and parted the sea, and the children of Israel walked across on dry land. But when Pharoah's chariots tried to follow, their wheels got stuck in the mud, and when the last Israelite reached the bank the waters came crashing back down, drowning the Egyptians.

MIRIAM: Hurrah! Now what?

MOSES: I have to climb this mountain, brb.

NARRATOR: The Israelites, however, were not very patient.

ISRAELITE 1: Where's Moses?

ISRAELITE 2: I'm bored!

ISRAELITE 3: Can we eat yet?

AARON: Hey guys! You know what would pass the time? Why don't you give me all your gold and jewelry, and I'll build a giant shiny cow!

ISRAELITES: Yaaaaay!

MIRIAM: Why do slaves have gold?

AARON: We looted the Egyptians on our way out.

MIRIAM: Seriously? That doesn't seem very under-doggy of us...

AARON: Listen, do you want to hear one of the lesser-known stories where our guys forcibly circumcise our enemies? Or do you want to make a shiny cow?

MIRIAM: Moo.

MOSES: I am back! I am back and I have brought you these two stone tablets, which contain the – oooh, shiny! [drops the tablets] Uh oh. Hope I saved the receipt...

GOD: [face-palm]

NARRATOR: But God gave the children of Israel another chance and gave the law to Moses again. But as punishment, the corrupted former slaves had to die off before they could enter the Promised Land. Forty years of wandering later, they finally reached their new homeland. Unfortunately some other people lived there already, but that's not a very pleasant story and these four glasses of wine aren't going to drink themselves, so let's just pretend the Israelites made friends with their new neighbors and nothing troublesome or morally squicky ever happened in the land of Israel ever again. The end!

Saturday, March 27, 2010

A lesson in graceful writing, from the pens of Joseph Stein and Sheldon Harnick:

Tevye: Is he in bad trouble, that hero of yours?
[Hodel nods]
Tevye: Arrested?
[she nods again]
Tevye: Convicted?
Hodel: Yes. But he did nothing wrong. He cares nothing for himself. Everything he does is for other people.
Tevye: Yes, but if he did nothing wrong, he wouldn't be in trouble.
Hodel: Oh Papa, how can you say that? What wrongs did Joseph do? And Abraham, and Moses? And they had troubles.
Tevye: Yes, but... But why won't you tell me where he is now, this Joseph of yours?
Hodel: It is far, Papa. Terribly far. He is in a settlement in Siberia.
Tevye: Siberia! And he asks you to leave your father and mother, and join him in that frozen wasteland and marry him there?
Hodel: No, Papa. He did not ask me to go. I want to go. I don't want him to be alone. I want to help him in his work.
Tevye: Hodel...
Hodel: Papa.
[sings]
Hodel: How can I hope to make you understand, why I do what I do? Why I must travel to a distant land, far from the home I love. Once I was happily content to be, as I was, where I was. Close to the people who are close to me, here in the home I love. Who could see that a man would come, who would change the shape of my dreams? Helpless now, I stand with him, watching older dreams grow dim. Oh, what a melancholy choice this is, wanting home, wanting him... Closing my heart to every hope but his, leaving the home I love. There where my heart has settled long ago, I must go, I must go. Who could imagine I'd be wandering so far from the home I love. Yet... there with my love, I'm home.
[the train is heard]
Tevye: And who, my child, will there be to perform a marriage there in the wilderness?
Hodel: Papa, I promise you, we will be married under a canopy.
Tevye: Yes, yes. No doubt, a Rabbi or two were also arrested.
[the train pulls in, Tevye lifts Hodel's luggage aboard]
Hodel: [crying and hugging him] Papa! God alone knows when we shall see each other again.
Tevye: Then, we will leave it in His hands.
[he helps her aboard and watches the train pull out]
Tevye: [looking up] Take care of her. See that she dresses warm.

Thursday, March 25, 2010

Today I learned that it's possible to write a cover letter that actually clarifies your interests and plan. I wrote the following in a cover letter yesterday (slightly adapted for posting). I read it over today and realized that it really DOES sum up my current life plan. Can't say that about many cover letters!

I want to educate people to be more awesome. When my classmates at Harvard ask why I'm in grad school for educational media, I blather something about the pedagogical potential of interactivity for reaching students of multiple intelligences. That's true too. But I also just want more cool people to hang out with – even if I have to make them cool myself.

Games are scaffolding. That's an ed school word, but it could very well be a gaming word too. Scaffolding allows students to grok sophisticated ideas by taking them there step by step, so that each stage is a well-supported progression from the previous. Games are scaffolded as well – when you level up, you have proven the ability to tackle harder bosses. When you unlock a new clue, you are biting off a manageable chunk of the meta-puzzle. The naturally scaffolded structure of games and puzzle hunts means that you can use them to make people do all sorts of fun things they wouldn't normally do.

Engaging video games are great and all, but it's far more awesome to appropriate video game mechanics to have fun in Real Life. A pervasive game can be used to encourage exploration in an old fort, critical thinking in a museum, willingness to wander off a trail in the woods, absurd behavior in a public place, and a whole range of other activities that I, in my infinite objectivity, find valuable.

I design games because games help people do cool things they wouldn't do otherwise.


A bit rough, yeah, but that's totally the idea! :)
Today I learned that pantsing, debagging, depantsing, drooping, shanking, skanking or dacking (in Australia), cacking, skegging, dekecking or just kecking (in the United Kingdom), scantying in Scotland and jocking in Ireland and, when in New Zealand, simply the down-trou all refer to the act of pranking someone by pulling down their pants.

Oh, Commonwealth countries. If the extra Eskimo words for snow reflects the abundance of the stuff in their lives*, what does this plethora of pantsing synonyms say about you?

I highly recommend the surprisingly informative wikipedia article List of School Pranks for further enlightenment/ideas.


*yes, yes, I know

Tuesday, March 23, 2010

On the college admissions process

Today I learned that high school students and their parents ask entirely the wrong questions about the college admissions process. Not stupid questions, mind. Just the wrong ones.

Their questions betray that they just don't get the point of the whole thing. A highly typical example: "My son has a 3.7 GPA and plays lacrosse. How many hours of community service does he need for Harvard?" This reflects a student-centered concept of the process that is inaccurate and counter-productive.

Admissions committees are not awarding prizes in a scavenger hunt. They're crafting a college class. Maybe it's different at less prestigious, more ranking-conscious schools, and they really do tick off a list of GPA/SAT/AP attributes. But the good places only care about those numbers inasmuch as they are shorthand for the attributes of Real Actual People. No one cares about your 1600 2400 if you aren't also special.

Maybe that's the first filter to the whole process - the first test of your Harvardiness is whether you can grok the reason for the admissions committee's existence. Which of course means this is yet another way in which disadvantaged kids are further disadvantaged... Understanding the motivations of the man behind the curtain, when everyone around you is an idiot, is a pretty sophisticated cognitive task.

There's just so much mis-information and bad advice - often coming from professional advice-givers, which is what sparked this blog post - that it makes me sad. And for many kids who don't have ivy-level parents or friends, the first way they learn about college admissions is through television. In my case, that meant seeing Zach Morris get a 1507 or some such impossible score on his SAT, and then watching the rest of the Saved By The Bell kids scheme to make the Hahvahd recruiter at the college fair notice Jessie Spano, as though those college fairs matter in the slightest.

Or just last week on LOST, that entire sideways-world subplot where Alex so desperately wanted a letter of recommendation for Yale from the asshole principal, and not from her mentor Dr. Linus, because the asshole principal was a Yale alum. NO ONE CARES IF HE WENT TO YALE. Ben Linus would have written a far better letter. Or at least manipulated Yale into doing his bidding, whatever. Ugh.

Maybe I should just write a tv show about kids applying to college, and do some good in the world.
Back from spring break! Back to learning!

Today I learned that in 1933, a Mr. Maxwell J. House* hired a rabbi to say that the coffee bean is more like a berry than a bean, and therefore coffee is kosher for Passover. And thus was born the Maxwell House haggadah, sheepishly tucked into grocery bags by the dozen every Passover by thousands of families who couldn't manage to remember where they stored last year's Maxwell House haggadahs.

Even though my 15 Maxwell House haggadahs - the fruits of my mother's visits to four different supermarkets last weekend - would be enough (dayenu!), I am having an all-Gentile, all-singer seder, and therefore am compiling my own supplement. Thus far it consists of "readings" from Marjorie Morningstar, The King & I, Tony Kushner, and The Nanny. Suggestions for quotes, songs, and other ephemera are quite welcome.

And, typed by hand from Death & Taxes: Hydriotaphia and Other Plays because amazingly this wasn't yet on the internet, I give you the following from Tony Kushner's rambling short "Notes on Akiba":

...And, and look how good my kid is, he... performs, he really performs, he memorizes, he is prepared, a performer, he's four years old he can barely read Green Eggs & Ham and look he has memorized lengthy strings of what are to him nonsense syllables which he will now produce flawlessly on command because he knows like the whole year to follow and his life along with it will be cursed, the crops will fail and Elijah won't come because YOU FORGOT WHAT COMES AFTER MA NISHTANAHA ETCETERA, and like, that's not affliction?




*not really, but the rest of it is true

Saturday, March 20, 2010

Today I learned that the only way to survive hell-week - nay, hell-fortnight - is to give myself one lovely treat per day. And no, television and naps (unless in the hammock) and shameless facebook stalking don't count; must be somewhat more special.

After failing to follow this rule on Friday and Saturday, and crashing horribly, I started over with a wonderful-as-ever post-church brunch on Sunday. Yesterday featured a lovely stroll in the Arboretum, and today? Today I read a new Sherlock Holmes story.

I've actually read just a small percentage of the Holmes canon, despite being a fan. Once I realized how much I loved them, and how finite was the proper Conan Doyle canon, I decided to parcel out the original 24* over as much of my life as possible. So I only read new ones when I really, really need it. (I am allowed to reread A Scandal in Bohemia as much as I'd like). Delayed gratification - I has it.

That being said, "A Case of Identity" is a bit rubbish.



*Yes I know there's the post-Reichenbach stories, but I've not touched those yet

Thursday, March 4, 2010

So today I learned that in 1969 they turned off Niagara Falls. I KNOW, right???

Jenny: I already ran out of work to do, like an hour ago.
me: You can read about how they turned off Niagara Falls
me: or King Ludwig II of Bavaria
Jenny: yeah, how did they do that?
Jenny: they turned him off, too??
me: well they had this giant red dial
me: and Superman didn't get there in time to stop them
Jenny: man! I hate it when that happens
me: and they dissolved Kryptonite in the water
me: so he couldn't go manually refill the waterfall with his Superlungs
me: or supermanually, as the case may be
Jenny: hahahahahahaha
Jenny: that's a great adverb
Jenny: how did we get the falls back?
me: well that's a helluva lot of water to divert, and all that water power actually creates enough electricity to provide 1% of the nation's daily electricity use (true story)
me: Which is of course why Lex Luthor was interested in the first place, not just because it would make a good headline in the Daily Planet
me: but when you take THAT much electricity, and put it with THAT much water
me: you're gonna eventually be like "oh come on, it can't really hurt that much"
me: and try to go for a swim.
me: That's how Lex lost his hair.
me: Fully electrifying the water (cuz when the person fell in it went zap) made the kryptonite particles disperse to a safe level
me: and Superman was able to dive in, rescue Lex, and then shift the dial back to its correct setting.
Jenny: ....wow, Liz. Wow.
Jenny: that is both a brilliant plot for a tv show and a staggeringly misleading portrayal of how electricity works

Wednesday, March 3, 2010

Today I learned about "Last Will," a collaboration between Punchdrunk and gaming collective Lost And Found. It's a MITE (Multiplatform Immersive Theatrical Experience), and it's a Punchdrunk production turned ARG, and it's basically what Sleep No More should have been.

But there's not much information about it online, aside from a small amount of press and this document. It sounds like the version that ran in 2008 was a prototype. Does anyone know more about it?

Tuesday, March 2, 2010

Today I learned about King Ludwig II of Bavaria. He built this:
Looks like Sleeping Beauty's castle, huh? That's because Disney based his castle on King Ludwig's, who based his castle on neo-Romantic German kitsch, which was based on cultural memory of medieval castles that never existed.

King Ludwig II liked to imagine that he was a fairy tale king, rather than the lame-duck monarch of a barely-sovereign state in the Industrial Revolution. Wikipedia says he was fond of wandering through the countryside, giving lavish gifts to commoners who were nice to him. His fairy tale castle broke the bank, but the Bavarians loved him anyway (who wouldn't love a deeply eccentric castle-commissioner?). His ministers loved him less, and they engineered a legal deposition by having him declared insane - not exactly a stretch, admittedly, for a man who wanted no more from his kingship than to canoe around his palace grotto while a soprano sang Die Walkure for him.

But still. The whitecoats came to get Ludwig and he balked - "How can you declare me insane?," he asked the doctor. "After all, you have never seen or examined me before."

The next day, Ludwig and the doctor were both found dead in a shallow lake.

How this is not yet a musical is beyond me.

Wednesday, February 24, 2010

Can't retweet the past?

Over the last two months, I serialized The Great Gatsby via Twitter on behalf of the American Repertory Theater. That's The Great Gatsby, the whole novel, in 140 character chunks. This was a promotion for the ART's production of Gatz - about which you can read my thoughts here - but it quickly became a labor of love.

Reducing classic literature into tweets sounds like just that - a reduction. But working with the text of Gatsby on such a minute and superficial level gave me a whole new appreciation for the jewel-like perfection of the language. Every sentence, every phrase tells an entire story. It is beyond masterful.

The followers of the @ARTGatz feed realized this as well, and I especially enjoyed seeing which lines they would re-tweet to their own followers. Some were predictable favorites - others were a bit more mysterious. I eventually collected every @ARTGatz re-tweet here, creating a sort of absurdist Gatsby micro-narrative. It's the world's first crowd-sourced abridgment. Enjoy.


THE GREAT GATSBY (abridged)

by F. Scott Fitzgerald

Crowd-sourced via the followers of @ARTGatz


Conduct may be founded on the hard rock or the wet marshes, but after a certain point I don’t care what it’s founded on.

I wanted no more riotous excursions with privileged glimpses into the human heart.

This isn’t just an epigram—life is much more successfully looked at from a single window, after all.

"I'm p-paralyzed with happiness."

(I’ve heard it said that Daisy’s murmur was only to make people lean toward her; an irrelevant criticism that made it no less charming.)

‘I’m glad it’s a girl. And I hope she’ll be a fool—that’s the best thing a girl can be in this world, a beautiful little fool.”

He stretched out his arms toward the dark water in a curious way, and, far as I was from him, I could have sworn he was trembling.

I was within and without, simultaneously enchanted and repelled by the inexhaustible variety of life.

It was nine o’clock—almost immediately afterward I looked at my watch and found it was ten.

—signed Jay Gatsby, in a majestic hand.

She held my hand impersonally, as a promise that she’d take care of me in a minute, and gave ear to two girls in twin yellow dresses.

“I’m Gatsby,” he said suddenly.

It faced—or seemed to face—the whole external world for an instant, & then concentrated on you with an irresistible prejudice in your favor.

It understood you just so far as you wanted to be understood, believed in you as you would like to believe in yourself...

Fifty feet from the door a dozen headlights illuminated a bizarre and tumultuous scene.

“Suppose you met somebody just as careless as yourself.”

...a faint mustache of perspiration appeared on her upper lip.

Everyone suspects himself of at least one of the cardinal virtues, and this is mine: I am one of the few honest people that I've ever known.

Even Gatsby could happen, without any particular wonder.

“I see you’re looking at my cuff buttons.” I hadn’t been looking at them, but I did now.

“How did he happen to do that?” I asked after a minute. “He just saw the opportunity.”

The officer looked at Daisy while she was speaking, in a way that every young girl wants to be looked at sometime...

...and peering toward the bleared windows from time to time as if a series of invisible but alarming happenings were taking place outside.

Americans, while occasionally willing to be serfs, have always been obstinate about being peasantry.

While the rain continued it had seemed like the murmur of their voices, rising and swelling a little now and then with gusts of emotion.

“Oh, hello, old sport,” he said, as if he hadn’t seen me for years. I thought for a moment he was going to shake hands.

—shirts with stripes and scrolls and plaids in coral and apple-green and lavender and faint orange, and monograms of Indian blue.

Suddenly, with a strained sound, Daisy bent her head into the shirts and began to cry stormily.

They’re such beautiful shirts,” she sobbed, her voice muffled in the thick folds.

“It makes me sad because I’ve never seen such—such beautiful shirts before."

“You always have a green light that burns all night at the end of your dock.”

—not through her own fault, but because of the colossal vitality of his illusion.

No amount of fire or freshness can challenge what a man will store up in his ghostly heart.

James Gatz—that was really, or at least legally, his name.

The truth was that Jay Gatsby of West Egg, Long Island, sprang from his Platonic conception of himself.

...and the moon soaked with wet light his tangled clothes upon the floor.

they were a satisfactory hint of the unreality of reality, a promise that the rock of the world was founded securely on a fairy’s wing.

—mostly I was in New York, trotting around with Jordan and trying to ingratiate myself with her senile aunt—

“I know your wife,” continued Gatsby, almost aggressively.

By God, I may be old-fashioned in my ideas, but women run around too much these days to suit me. They meet all kinds of crazy fish.”

It is invariably saddening to look through new eyes at things upon which you have expended your own powers of adjustment.

“Well, he certainly must have strained himself to get this menagerie together.” A breeze stirred the gray haze of Daisy’s fur collar.

Daisy began to sing with the music in a husky, rhythmic whisper...

...bringing out a meaning in each word that it had never had before and would never have again.

...and each change tipped out a little of her warm human magic upon the air.

“She didn’t like it,” he insisted. “She didn’t have a good time.” He was silent, and I guessed at his unutterable depression.

“The dance?” He dismissed all the dances he had given with a snap of his fingers. “Old sport, the dance is unimportant.”

“Can’t repeat the past?” he cried incredulously. “Why of course you can!”

He talked a lot about the past, and I gathered that he wanted to recover something, some idea of himself, that had gone into loving Daisy.

—an elusive rhythm, a fragment of lost words, that I had heard somewhere a long time ago.

“Hot!” said the conductor to familiar faces. “Some weather! hot! hot! hot! Is it hot enough for you? Is it hot? Is it . . . ?”

That any one should care in this heat whose flushed lips he kissed, whose head made damp the pajama pocket over his heart!

“It seems pretty soon the earth’s going to fall into the sun—or wait a minute—it’s just the opposite—the sun’s getting colder every year."

“What will we do with ourselves this afternoon?” cried Daisy, “and the day after that, and the next thirty years?”

“She’s got an indiscreet voice,” I remarked. “It’s full of——” I hesitated.

A pause followed this apparently pointless remark.

“Do you mean you’ve been to a medium?” inquired Jordan humorously. “What?” Confused, he stared at us as we laughed. “A medium?”

“An Oxford man!” He was incredulous. “Like hell he is! He wears a pink suit.”

We were all irritable now with the fading ale, and aware of it we drove for a while in silence.

Then as Doctor T. J. Eckleburg’s faded eyes came into sight down the road, I remembered Gatsby’s caution about gasoline.

“We’ve got enough to get to town,” said Tom. But there’s a garage here,” objected Jordan. “I don’t want to get stalled in this baking heat.”

There is no confusion like the confusion of a simple mind, and as we drove away Tom was feeling the hot whips of panic.

“We’re getting old,” said Daisy. “If we were young we’d rise and dance.” “Remember Biloxi,” Jordan warned her. “Where did you know him, Tom?”

Jordan smiled. “He was probably bumming his way home. He told me he was president of your class at Yale.”

“Open the whiskey, Tom,” she ordered, “and I’ll make you a mint julep. Then you won’t seem so stupid to yourself. . . .

Angry as I was, as we all were, I was tempted to laugh whenever he opened his mouth. The transition from libertine to prig was so complete.

"But both of us loved each other all that time, old sport, and you didn’t know. I used to laugh sometimes."

...and in my heart I love her all the time.”

She began to sob helplessly. “I did love him once—but I loved you too.”

I was thirty. Before me stretched the portentous, menacing road of a new decade.

So we drove on toward death through the cooling twilight.

It came out of the gathering darkness, wavered tragically for a moment, and then disappeared around the next bend.

“There’s some bad trouble here,” said Tom excitedly.

“What are you doing?” I inquired. “Just standing here, old sport.” Somehow, that seemed a despicable occupation.

I must have felt pretty weird by that time, because I could think of nothing except the luminosity of his pink suit under the moon.

There was an unmistakable air of natural intimacy about the picture, and anybody would have said that they were conspiring together.

So I walked away and left him standing there in the moonlight—watching over nothing.

He knew that Daisy was extraordinary, but he didn’t realize just how extraordinary a “nice” girl could be.

Her porch was bright with the bought luxury of star-shine;

It excited him, too, that many men had already loved Daisy—it increased her value in his eyes.

and Gatsby was overwhelmingly aware of the youth and mystery that wealth imprisons and preserves, of the freshness of many clothes...

She thought I knew a lot because I knew different things from her. . . .

The shadow of a tree fell abruptly across the dew and ghostly birds began to sing among the blue leaves.

Then out into the spring fields, where a yellow trolley raced them for a minute over the vanishing city where she had drawn her breath.

..even though she was gone from it, was pervaded with a melancholy beauty.

He left feeling that if he had searched harder, he might have found her—that he was leaving her behind.

He stretched out his hand desperately as if to snatch only a wisp of air, to save a fragment of the spot that she had made lovely for him.

But it was all going by too fast now for his blurred eyes and he knew that he had lost that part of it, the freshest and the best, forever.

But when he heard himself say this, he flinched and began to cry “Oh, my God!” again...

“Don’t do it to-day,” Gatsby answered. He turned to me apologetically. “You know, old sport, I’ve never used that pool all summer?”

and I said ‘God knows what you’ve been doing, everything you’ve been doing. You may fool me, but you can’t fool God!’”

Gatsby shouldered the mattress and started for the pool.

From the moment I phoned news of the catastrophe to West Egg village, every surmise about him, every practical question, was referred to me.

In fact, there’s a sort of picnic or something. Of course I’ll do my very best to get away.” I ejaculated an unrestrained “Huh!”

...and I should have known better than to call him.

I mentioned Gatsby.

“Oh—h!” She looked at me over again. “Will you just—What was your name?” She vanished.

“Let us learn to show our friendship for a man when he is alive and not after he is dead,” he suggested.

Of course we was broke up when he run off from home, but I see now there was a reason for it. He knew he had a big future in front of him.

“I come across this book by accident,” said the old man. “It just shows you, don’t it?” “It just shows you.”

So when blue smoke of brittle leaves was in the air + wind blew the wet laundry stiff on the line I decided to come back home.

I see now that this has been a story of the West, after all—Tom and Gatsby, Daisy and Jordan and I, were all Westerners...

I see it as a night scene by El Greco: a hundred houses, at once conventional and grotesque, crouching under a sullen, overhanging sky.

Her hand, which dangles over the side, sparkles cold with jewels.

“You threw me over on the phone. I don't give a damn about you now, but it was a new experience for me, & I felt a little dizzy for a while.”

She didn’t answer. Angry, and half in love with her, and tremendously sorry, I turned away.

I spent my Saturday nights in New York because those gleaming, dazzling parties...

—look here, when I went to give up that flat and saw that damn box of dog biscuits sitting on the sideboard, I sat down & cried like a baby.

Probably it was some final guest who had been away at the ends of the earth and didn’t know that the party was over.

As I sat brooding on the old unknown world, I thought of Gatsby’s wonder when he first picked out the green light at the end of Daisy’s dock.

Gatsby believed in the green light, the orgiastic future that year by year recedes before us.

It eluded us then, but that’s no matter—to-morrow we will run faster, stretch out our arms farther. . . . And one fine morning——

So we beat on, boats against the current, borne back ceaselessly into the past.


THE END

Tuesday, February 23, 2010

Today I learned that Figment is coming to Boston! Figment is a wonderful zany arts festival on Governor's Island in NYC and they're doing an installment along the Charles this summer! Yay!

Monday, February 22, 2010

Today I learned a sure way to reverse even the foulest, blackest, grumpiest of bad moods: sing along with "Movin' Right Along."



Gungadun gungadun.

How DOES Kermit ride that bicycle??

Sunday, February 21, 2010

Today I learned a fun fact about my own body. I played through Beethoven's 7th symphony tonight for the first time in almost a decade. I haven't played with an orchestra in two years and haven't practiced in, um, mumblemumble years, so even the easy parts were a disaster. But the harder bits? Right there in my fingers. MUSCLE MEMORY IS SO WEIRD.

Also, I am super impressed with 15-year-old Liz.

Wednesday, February 17, 2010

Did I learn anything today? Not really. Instead, I have questions.

1) I don't know what to do with my eyes while listening to NPR. I don't knit, I don't drive, my commute is short and on bicycle, and although I sometimes cook I do not cook for nearly as many hours a week as I would like to spend listening to Ira Glass's voice. What do you do with your eyes? Does someone make picturebooks for grownups that I could stare at?

2) I was reading an essay about Wagner by Shaw, and Shaw made me feel like an ass (as only Shaw can) for being mostly unfamiliar with the Ring Cycle. Which is to say, I've seen "What's Opera, Doc?" and Larry O'Keefe's "Magic Futon" several times each, but that's about it. Is there a way to become acquainted with the Ring that doesn't involve listening to 15 hours of opera?

Tuesday, February 16, 2010

Today I learned that this exists:
The Sleep No More Crossover Fanfiction Blog

Because Sleep No More is crossover fanfiction itself! Get it? Get it?

I think this is a tiny bit brilliant. Only a tiny bit, though.

Monday, February 15, 2010

Today I learned that
1) someone recently visited my blog through Googling the query "are rabbits inauspicious?", and
2) my blog is the first hit for the query "are rabbits inauspicious?"

So I rather feel I should expound a bit on this subject. Are rabbits, in fact, inauspicious?

The first question to address is really "inauspicious for whom?" On the one hand, rabbits are very soft, which doesn't really bode well for them. On the other hand, bunnies must really enjoy cuddling with one another. So, dear mystery-reader, if you return seeking further insight on the auspiciality of bunny rabbits, please clarify your terms and I will see what I can do.

And what's with all the carrots? What do they need such good eyesight for anyway?

Sunday, February 14, 2010

Today I learned that I actually really like Valentine's Day. Is that okay?

Favorites include:
2004: Performing Mozart's Requiem with Holden at ACDA*
2007: Beauty & The Geek party. And The Little Mermaid? Or was that '06?
2009: Gallo pinto in Cambridge UK
2010: 10-person dance party, and Disney 'n' pizza


*interestingly, only my third favorite Mozart's Requiem memory, following the (life-changing) first performance in December and the Eliot JCR singalong during comm choir '05.

Saturday, February 13, 2010

Today I learned that chocolate-covered bacon is disgusting.

Friday, February 12, 2010

Today I learned that throwing parties on Fridays is unnecessarily difficult, when the same party could just as well be thrown on Saturday. But I also learned that, perhaps not too surprisingly considering the selection bias here, a high percentage of my friends own proper flapper attire. Yay. :)

Thursday, February 11, 2010

Today I learned a whole ton about World's Fairs. Like, way more than I could write up here. Because I also learned that when my homework is awesome, I will go above and beyond. Watch a half hour of vintage Coney Island footage, you say? See you in four hours...

So we learned last week that the word panorama originally referred to the Imax 360 of the 19th century, and only subsequently did the suffix -orama get applied as an indicator of great scale and awesomeness. Keep this in mind as I tell you about the 1939 World's Fair's Futurama - the awesomest thing to be called Futurama until that other Futurama.

The Futurama was, first of all, the grand-daddy of the Disney-style dark ride: a narrated trip in moving seats through a vivid diorama (there's that suffix again), in this case depicting the world in twenty years, as envisioned by Norman Bel Geddes for General Motors. The principal feature of this world is the existence of an interstate highway system - build us these roads, GM told taxpayers, and we'll sell you the cars to drive on them. The thing is that although GM's argument worked, we didn't follow their instructions very well. Bel Geddes designed a utopic highway system that was carefully calibrated for ideal traffic flow - the rural elevated highways depicted in the early parts of the ride have seven lanes, with two transition lanes on a lower level, bringing drivers safely from 25 to 50 to a cruising speed of 100 mph(!).

But of course, the system we actually built was not so idyllic. Dan Howland of The Journal of Ride Theory sums it up in one of my favorite quotes on the topic: "If we lived in the Futurama, we'd be home by now."

I highly recommend this film of the Futurama itself: http://www.archive.org/details/ToNewHor1940 Highlights include the dirigible hanger in the airport (floating in a pool of water, so it can easily rotate to suit the wind direction!), and the odd reference to the Gloria Patri at the end. If you watch it, please talk to me about it - we didn't talk about it at all in class, so it is not out of my system.

Wednesday, February 10, 2010

Today I learned a new Harvard building! You know that building to the right of Lamont? Me neither till today! In all these years, I have not only never been inside that building, or known what it is, but I've never even really registered its existence. So today I walked in and announced my presence to the dude at the desk:

Me: Hi! I've been here five years and have never been in this building. Where am I?
Dude: This is the Houghton rare books library.
Me: Whoa, that exists?
Dude: ...yes.
Me: I mean, I always thought it was just one of those Hollis designations for a particular collection, not an actual physical location.
Dude: Rare books generally need to be stored somewhere secure. And physical.
Me: This makes sense.

Next up: Liz learns to navigate new Lamont floor-numbering, avoids further embarrassing attempts to locate Shakespeare in the government docs stacks.

Tuesday, February 9, 2010

Today I learned - well, I've been learning this for two weeks now, but today was another reminder - that I really don't like singing Bach. Or the St. John Passion, at any rate. I love playing Bach, but singing him seems to be a whole 'nother matter. It's the reverse of Mozart, who is great to sing but lousy to play. It's interesting that although alto and cello lines often share many characteristics, I can have such strong opinions on whose work I'd rather sing vs play - the same line has totally different fun-ness properties depending how it is produced.

Sometimes, however, the finger can really be pointed at the composer. Yes, I'm looking at you, Ralph Vaughan-Williams. Fantasia on Tallis AND God Bless The Master? Really? Really?

Thankfully, today I also learned to preserve the quality of my day through a Bach rehearsal by tying up my good mood in one of Jim Marvin's Santa Claus bags and throwing it into the balcony for safe keeping till 6:30.

Monday, February 8, 2010

This weekend I learned that the church choir experience is completely revolutionized through the addition of a neck pillow. Reverend Gomes, you are a lovely man, but your sermons are very long.

After years of struggling to pithily describe the majority of my high school classmates in a way that doesn't:
  • involve ethnic stereotyping ("guidos")
  • inspire the listener to turn the claim back on me ("JAPs")
  • sound too douchey / loaded for people who actually know their Marx ("lumpenproletariat")
  • seem better reserved for describing the Five Towns ("nouveau riche")
  • seem inaccurate since most people do go to college ("townies")
I finally learned the perfect word for summing up my hometown - chavvy.

Friday, February 5, 2010

Today I learned that vertiginous means vertigo-y. Can you use it in a sentence? Why yes, I can!
The soundscape in Birnam Wood is vertiginous.
There ya go.

Thursday, February 4, 2010

Today I learned about panoramas. Originally, panoramas were buildings that housed a 360 degree painting. These were super popular in the 19th century, and they sound a bit awesome.

Check out this cross-section of a standard panorama. The cupola overhead prevents the viewer from seeing the border of the painting on top, the artificial floor conceals the border on bottom.Fancier panoramas used projection, meaning massive amounts of Victorian mechanicalness and gas flames and roaring motors, and all in all were less like a tranquil view of the countryside and more like an awesome way to get conflagrated.

I am wondering about the Allegory of the Cave. For half a century, a significant chunk of the population has been first introduced to Plato through the Chronicles of Narnia. I'm sure this affects interpretation - the Cave and the Shadowlands are synonymous for me. There's no real conclusion to be drawn here, but I just think it's fascinating that C.S. Lewis gets to be the gatekeeper of Plato.

Bless me, what do they teach them at these schools?

Wednesday, February 3, 2010

Today I learned that I am the first person in the history of the internet who has blogged about something related to her job, had her boss find it, and had this lead to praise and approbation. :)

I am wondering about a presentation given to one of my classes today by a producer at WGBH. The only time she defaulted to a masculine pronoun (the only time anyone ever defaults to a masculine pronoun in children's programming) was when referring to the writers. FML.

Monday, February 1, 2010

Borne back ceaselessly into Gatz

I am wondering about Gatz, the seven hour Gatsby semi-adaptation at the A.R.T. Why did it feel so wholly immersive, despite being so extremely low-fi? Sleep No More and The Donkey Show achieve their immersion through verisimilitude, overwhelming your senses with lush detail. Their voices are full of money. Gatz, with its wafer-thin meta-narrative and commonplace imagery, is barely more than a staged reading. But you are there.

But there is not West Egg. The world of Gatz is not the story-world of The Great Gatsby - it is the world of The Great Gatsby, the novel, the paper-and-ink book with the blue-face cover that you dog-eared in AP English. The immersion is into the very act of reading The Great Gatsby. What engrosses you is the story, but what you experience is the telling of the story, the construction of it; the green twinkle of the perfect language, the careening inevitability of the narrative.

A novel this familiar has deep personal layers to it, separate from and wholly dependent on the actual narrative - and through the familiar text you can repeat the past, old sport. I felt keenly the sense memory of lifting my chin to balance an invisible object, moved to mimicry by the vividness of Jordan's gesture. My friend Cian, raised on the metric system, recalled reading the Plaza scene and first learning the word "quart." Little details... but they are the functional equivalent of the pine scent in Birnam Wood. Sleep No More creates future sense memories - Gatz exposes and explores the memories you already have.

And as such, it is an intensely personal experience. Your memories of reading Gatsby are not mine - though they are likely similar, high school curricula being what they are. The novel is one of the few media that stubbornly resist communal consumption. That's why people react so strongly to deviation in adaptations of favorite novels - they get it wrong, they don't understand, I know the story isn't real but it's still true and you can't just change what's true. (and Gatz was not immune to this effect. Chapter Five was plain wrong.) You can feel ownership over the reading of a novel, over your reading of a novel, because there is no one else there to lay a claim.

The power of live theater is the power of the communal experience, laid bare in Gatz because it was the first time all of us, any of us, had ever experienced this particular familiar story with people. With people. Laughing together, gasping together, feeling like an overgrown spider in the Loeb seats together. It's reading the novel, but amplified. Sleep No More transports you to a world you've only visited in dreams - Gatz is a world of your own creation that is suddenly lived in by others.

The wakening from Sleep No More is well-supported - between Manderley and the long bus ride from the remote location, you can stagger the staggering out of the dream. When Gatz was over, it was over, and there we were, blinking at Harvard Square. But we weren't ready to emerge from that world. Drained emotionally from the story, we wanted to sustain the magic circle of the stage - we didn't want to admit outsiders. Sure, they all had read the book too, they could tut-tut about the Buchanans as well as us - but they weren't there. They didn't understand.

At the large party, Gatsby removed our masks and whispered in our ears.

So we beat on.

Sunday, January 31, 2010

This weekend I learned that having someone read to you for seven hours is an extremely engaging and rewarding experience, especially when you're in a theater full of people, and the thing being read to you is The Great Gatsby.

And while buying school supplies I was walking through Staples with an Englishman, who pointed at a tape dispenser and exclaimed "oh look, Sellotape!" I stared at him for a moment and then realized: THAT'S WHY SHE CALLED IT SPELLOTAPE!!! Good one, JK!

I am wondering how I can arrange it so that every weekend is as awesome as this one.

Friday, January 29, 2010

Today I learned that cool institutions will sometimes let you do cool stuff for them if you just ask. :)

I'm adding another category to my What I Learned In School Today posts. Inspired by Project Zero's cheesy-but-surprisingly-effective See Think Wonder thought routines, I will also, when applicable, list something I am wondering about.

I am wondering about the orchestra pit. Specifically, about the point in architectural history when theaters first started concealing the orchestra in a pit (this was with Wagner's Bayreuth Festspielhaus, which is something I learned yesterday). I'd never really thought before about what a huge innovation the concealed orchestra is. Would we have ever gotten modern musical theater without it?

Thursday, January 28, 2010

Today I learned academic things! I had the first meeting of my class at the design school, which is on the history of immersive entertainment spaces - aka the history of awesome. We were discussing various attributes of immersive experiences, including artificial synesthesia, loss of boundaries between self and context or others, and cognitive overload.

Also on the list was the loss of agency. I argued that this attribute should be more accurately listed as just a change in one's level of personal agency, not necessarily a loss, because some immersive experiences (I specifically named Sleep No More and the holodeck) are characterized by extremely high levels of agency within a narrative space. The professor pointed out that what I identified is really just the flip side of the same coin - in order to have the illusion of agency, the designer must have an incredibly high level of control over all the elements. The greater the illusion of agency, the less agency the individual actually has.

This blew my mind, a little.

Wednesday, January 27, 2010

Today I learned that lady-senators have absolutely no decency when it comes to choosing the color of their lady-suits. The only rule necessary for the State of the Union drinking game is "drink every time some lady's lady-suit makes you cringe with its yellowness."

Tuesday, January 26, 2010

Today I learned that it was Australia Day. That's about it, I reckon.

Monday, January 25, 2010

Today I learned how to use Constant Contact and Google AdWords. I also learned that Big Brother is watching like whoa. Did you realize that they know whether you click on the links in an email??

Sunday, January 24, 2010

What I learned in, err, life today:

I can make two dozen delicious blintzes for about two dollars. Also, wrapping an old Christmas tree in pink sheeting is difficult, and Hecate's ring is not in the lockbox that Duncan puts in the second Mrs. DeWinter's suite.

Friday, January 22, 2010

Not you, Weinbl.

My adviser told me I couldn't take his limited-enrollment studio unless I agreed to not dominate the conversation and let the other kids try to answer questions even if I know the answer. How do you respond to that?? Hold on while I go look up the answer in my diary from middle school. Jeez...

I told him to give me a cue when I should back off. I'm imagining a variation on Jim Marvin's hand-wave of "More alto! More alto! More alto! Not you, Weinbl."*

But if nothing else, I can always find a way to blame Ben. To wit:

Me: so my program has this required session tomorrow on how to play well with others.
Ben: is there a follow up session called "what to do when you discover the others are idiots"?

This is the source of all my problems. File under: What I'll Learn Tomorrow.


*using my fas surname as a super-sneaky pseudonym for the googlebot

Thursday, January 21, 2010

What I Learned In School Today:

The plural of planetarium is planetaria. The plural of stadium is stadia. The plural of penis is penes.

Wednesday, January 20, 2010

What I Learned In School Today

This semester, I am going to write down one thing that I learned every day. I'll do it here, so that we can all learn together. Yay learning.

Today I learned that the Graduate School of Design is way cooler than the Graduate School of Education, and has far more interesting classes and far more attractive (and plentiful) men. I also learned that chocolate-covered Goldfish are awesome.


. . . I am hoping that once classes start, I'll be learning things slightly more academic. But I won't hold my breath.

Saturday, January 9, 2010

Micro-travelblogging

Traveling alone and domestically is a perfect opportunity to get hit by a bus while texting a tweet. I'm in Los Angeles for the first time, for truly no good reason, and I've been keeping a running commentary via Twitter. Sporadically updated to here, for those who don't do the twitter thing, is my mini trip told through mini comments.


There is a totally steampunk dude waiting for my flight. Goggles and all. He is kinda cute in that Probably Crazy way.Perhaps Goggle Guy is flying the plane! That would explain it. Ill know if instead of boarding a 747 they have us board a red dog house.I only just realized that even though its warm in LA, it is still technically winter and therefore will get dark early. D'oh! Chasing the sun across the Rockies. :-D Los Angeles is surrounded by mountains! Who knew? Ohhhh thats why they call it The Valley. I am a moron. You can see the Hollywood sign as you fly in! Until you fly under the smog cover anyway.Just passed an office for Animal Dermatology. Wow LA.

So far, LA bears a striking resemblance to Long Island...

Unimpressed with Santa Monica. Looks like Sheepshead Bay. And the fog is giving me triangle hair.

Day 2

Worst. Pedestrian. City. Ever.

Vitamin D is AWESOME.

Visited the Huntington gardens with a friend I haven't seen in six years. Lovely afternoon! ...now what?

There are pricklies in my finger. This is what I get for feeling up the cacti. This, and a Darwin Award.

Been wandering Pasadena for twenty minutes and still have not found any Mexican take-out. This IS California, right?

First sidewalk star I see, as I step off the bus, is Gloria Swanson. How appropriate. I can go home now I guess.

Hollywood Blvd makes Disney MGM Studios seem exciting.

Just bought shoes at Frederick's of Hollywood. I'm doin' it wrong.

Is there a Raymond Chandler museum in LA? Prob not, same dumb way New Orleans has nothing for Tennessee Williams.

There is an 800 number you can call to ask an operator how to get somewhere on public trans. Why don't we have that?

Saturday

In the hostel courtyard, two french girls are enthusiastically video chatting with friends and a puppy in Paris. This is like a commercial for The Future.

En route to the Getty. The bus infrastructure here is actually fantastic. They just need to make a schematic map and provide free transfers.

LA women make me feel ugly, but I am receiving a higher than usual rate of compliments from strangers. Culture? Or Blonde-in-Japan effect?

I get inappropriately emotional when i visit museums alone. I just welled up at a photograph of workers erecting Eiffel's tower.

Also if you have never looked closely at Dorothea Lange's Migrant Worker, you should.

Just ran into someone from Uchoir. World = ridic.

Went to the Magic Castle. And guess what guys?? MAGIC IS REAL.

Sunday

DISNEYLAND DISNEYLAND DISNEYLAND DISNEYLAND

Monday

Disneyland recap: DISNEYLAND IS AMAZING. Sure, it's more cramped than DisneyWorld, but the Indiana Jones ride makes my life. <3>

More importantly, how do you get to be an Imagineer? Do you have to already be one of those other things that end with "-gineer"?


All the birds sing words and the flowers croon!

Tuesday

I have 14 hours left in Los Angeles. What should I do? Because hanging around Chris's apartment is looking tempting...

At the Getty Villa, where they are so flummoxed to have a pedestrian visitor that the parking attendant had to call security to check what to do about me.

I am not so much hiking as i am clambering. Or perhaps "aerobic trespassing."

Using a display laptop in Office Max like a homeless person.

This In 'n' Out thing really is pretty okay.