Thursday, November 26, 2009

Chronicle of a Thanksgiving

-----

[Jenny points at a large piece of driftwood on the beach - it is a good six feet tall]

Jenny - What's that?
Mom & Dad - [simultaneous] Pizza box.


-----

[we are staying in an A-frame house. Jenny got the loft, which has five twin beds in a row]

Jenny - How come you all get bedrooms, while I have to sleep in the Tenement Museum?
Me - It's a hard knock life.


-----

[Jenny is studying abroad in Bulgaria in the spring]
Me - Are you taking Bulgarian?
Jenny - You think SUNY New Paltz offers Bulgarian? No one offers Bulgarian. Even Harvard doesn't offer Bulgarian.
Me - I bet they do.
Jenny - I bet they don't.
Me - Five dollars says Harvard offers Bulgarian.
Jenny - You're on.


[ten minutes later, from the other room]
Jenny - Son of a... There's a goddamn Bulgarian dance team!

-----

Jenny - I accidentally said one of our strange family expressions to a stranger yesterday.
Us - Uh oh.
Jenny - I told a lady in the restroom that she's a better man than I, Gunga Din. She left muttering to herself "Gunga Din?" This was at the therapist's office, by the way.

-----

Mom - I see, said the hammer.


----

Jenny - I told JRB about the time you played Mama Rose when you were 8. He said that he was writing a himself note to call Arthur Laurents tomorrow and tell him.
Me - That's awesome! I have to tell Ben.
Jenny - He'll just be pissed that Arthur Laurents knows who you are and not him.
Daddy - Not if Arthur Laurents sues you for performing Gypsy without the rights...


-----

And a re-post of the classic, from Thanksgiving 2006:

Mom: The Salvation Army is coming at noon to take the sofas.
Me: What?
Mom: The sofas in the living room. They smell like the dog, it's time to
get rid of them. So the Salvation Army's going to come get them.
Me: But... we have 14 people coming for Thanksgiving tomorrow...
Mom: Right. Can't have them sitting on smelly couches.
Me: So instead they'll stand?
Mom: We have folding chairs.


- one hour later -

Salvation Army guy: The big sofa is too stained, sorry.
Me: Mom, why don't you give them twenty bucks and ask them to carry the
sofa outside so the city can come take it?
Mom: I don't want a sofa on the front lawn when we have people coming.


- two hours later -

Me: Mom, what are you doing with the sofa?
Mom: I changed my mind.
Me: We'll never get it through the door ourselves.
Mom: Your father will be home in an hour.

- one hour later -

Dad: #$^$%&@#$%@!


- one hour later -

Dad: Wait, tilt it towards me... no tilt the top... now pull the bottom
left towards you...
Me: We're gonna die.

(Jenny: Keep it down, I'm sleeping.
Mom: It's four in the afternoon!
Me: We're gonna die.)


- one hour later -

Dad: Maybe if we saw the legs off...


- one hour later -

Buttons: ::finally notices we're taking his sofa::
Buttons: ::freaks out::
Buttons: ::goes back to sleep::


- finally -

Mom: We did it! The couch is gone!
::everyone does the "Friends" couch pile-on::


- later -

Neighbor: Do you guys know there's a couch on your lawn?


Saturday, September 19, 2009

Ahoy vey!

Ahoy Vey!

The story of Rosh Hashana / Talk Like A Pirate Day

(which, to clarify, fell on the same day in 2009)

There was once a tiny shtetl in the old country; so inconsequential that no one bothered to persecute it, so unremarkable that no one gave it a name. And anyway, the elders argued, how can you order a pogrom on a place when you don’t know what to call it? Sure, the mail was always lost, but who wrote to them anyway? Not their good for nothing sons, that’s for sure.

One Rosh Hashanah, the esteemed rabbi of the little town stood in front of the shul. The rabbi’s emotion on the holy days was greatly renowned, and the whole town – from Abram the mostly-honest butcher to Shlomo the skill-less liberal arts major (may your family be spared such indignity!) – packed the shul to witness the rabbi's single dramatic tear as he beseeched the Lord God to forgive his people for not setting foot in His house since the previous Yom Kippur, and would He remind them of the Sisterhood potluck next Shabbos as well?

As the rabbi finished a thinly veiled comparison of the binding of Isaac to the binding of his digestion – thanks to the prune rugelach offered by certain congregants in lieu of membership dues – a commotion was heard outside the shul. People were gathering at the door.

“Uch,” thought Abram, “the lazy-bones are only showing up in time for the Part With The Stuff They Know."

“Uch,” thought Shlomo, “I could have slept later after all.”

“Uch,” thought Carlos the shabbos goy, “I hope they don’t ask me to tear their toilet paper.”

A rough voice outside shouted “amen!,” and “amen,” the congregation hastily assented, with a caterwauled descant provided by Chandleh the thinks-she’s-a-soprano show-off. “Arrrr, men!” repeated the voice with clearer diction, and a strong scent of highly un-kosher grog filled the air as a crew of pirates shoved into the shul.

The pirates were ill-shaven and well-armed, apart from the hook-handed one who was well-shaven and ill-armed, and their captain tottered atop a wooden peg leg.

“Ahoy, me hearties!” said the pirate captain.

“Oy, my heart!” said Ephraim the kvetch.

“We be needin’ some assistence from ye landlubbers. We may be the meanest, dirtiest, ugliest blackguards ever to sail the seven seas,” the pirate said (“You should see my wife,” added Samuel who-thinks-he’s-funny), “but the scurvy czar (may he prosper on someone else’s back) be refusin’ to issue us a general pillaging license.”

He paused for a moment of general tutting and commisseration.

“So we be sailin’ under the radar, pillagin’ only that which the czar don’t bother to pillage himself." The pirate smiled with black teeth. "And we be noticin’ that this speck of barnacle is long overdue for a good pillage.”

There were cries and gasps, and a few of the women in the balcony took the opportunity to get better seats by fainting onto the lower level.

"On to the ship!" cried the pirate. The townsfolk were herded towards the door, though in a moment of highly uncharacteristic bravery, Tevye the milkman took a swing at the pirate, who tripped his attacker with a well-placed peg leg.

“You fight like a dairy farmer,” the pirate spat. “Now come along, so's I can make ye walk the plank.”

But at that moment Mordecai the whittler grabbed the pirate's peg leg.

“You have this peg long?”

“Arr. A mosquito bit me thigh." Mordecai looked up. "It was me first day with me hook."

“You think that’s bad? You should see my goiter,” said Ephraim.

“That peg’s not gonna last long, way it was constructed. Allow me.” And Mordecai grabbed the arm off the end of the pew, and quickly whittled it into a fine new peg leg.

“This be a fine new peg leg,” cried the pirate, dancing a little jig. “But don’t be expectin’ that will save ye from the plank.”

“Oh no,” said Mordecai. “For the Cossacks, sure, a leg will cost an arm and another leg. But for you? For you, I make a deal.” He gestured to the rabbi to come forward.

“This is our rabbi, the wisest scholar in our land. Pose him a riddle. If he cannot answer it to your satisfaction within three days, we will happily offer up our plunder to be pillaged. If the rabbi can solve the puzzle, then we request that you allow us to remain un-pillaged. I’ll even throw in an extra peg leg."

The pirate thought for a moment, but finding himself unaccustomed to such strain, he slapped his knee in consternation and cried "shiver me timbers!"

"We accept!" said Mordecai.

"Huh?" said the esteemed rabbi.

"Wait, that warn't any riddle" protested the pirate, but Mordecai put up a hand.

"Captain, let me offer you some counsel, free of charge. If even you don't know the answer to the "riddle," how can our rabbi hope to solve it?"

The pirate paused. "I accept! Rabbi, ye have three days to shiver me timbers." (The wife of Samuel-who-thinks-he's-funny pre-emptively smacked her husband) "I'll go ready me plank."

The pirate stomped off.

Mordecai turned to the rabbi with a smile, expecting praise for his quick wit and genre savvy. Instead, he was met with several dozen pieces of stale prune rugelach flying at his head.

For three days and three nights, the rabbi prayed. For three days and three nights, the rabbi studied. For three days and three nights, the rabbi fasted, not that his other options were much better. And after three days and three nights, the pirates met the townsfolk at the shul, and awaited the esteemed rabbi's solution.

The rabbi stepped up to the bimah, and began to speak. "The Rambam wrote of the many names of the Lord our God," he began, and proceeded to argue that if "shiver" is broken down into its numerological designation... but we’ll never hear the brilliant conclusion that proved "shiver me timbers" to be the lost fourteenth attribute of Hashem, for by that point all in attendance were fast asleep.

T'kiaaaaah! A loud horn bleat from outside woke congregants, pirate and Jew alike. T'kiaaaaaah!

"What fool is blowing the shofar three days late?" the rabbi muttered, throwing open the doors of the shul to chastise the tardy horn-blower. But when he looked out into the town square, he saw none other than the whittler Mordecai, cheeks blushed scarlet from blowing a strange-looking shofar.

"So this is your plan, Mordecai?" demanded the rabbi. "Lead us into the hands of the pirates while you sound the battle cry on your cheap knock-off shofar?"

"Actually, rabbi, I completely forgot about the riddle. But I was poking around the pirates' ship, looking for lost dubloons, when I saw a beautiful plank of wood just hanging off the edge of the deck."

"Me plank!" cried the pirate. "Me beautiful plank!"

"And I couldn't help myself - I had to whittle it. But look at this beautiful horn I made! It works, too!” T'kiaaaaaaaaaah!

The rabbi was all set to strangle Mordecai with his own payyis, but he was distracted by a strange wheezing sound. Coming from the pirate.

"Hee hee hee," said the pirate.

"Hee hee hee?" asked the rabbi.

"Your Mordecai - he took my plank and he... He shofar'd me timber!"

The resulting mass face-palm was so extraordinary that the descendents of the townfolk have had crooked noses ever since.

And the pirate was so taken by this extraordinarily clumsy and painstakingly set-up pun that he spared the village, asking only that Mordecai continue to entertain gentiles for the rest of his days. And so he and his descendents did, inventing musical theater and running Hollywood and generally ruining every nice social gathering, unto this very day.

The end.



[re-posts okay, with credit]

Wednesday, September 16, 2009

Tuesday, August 11, 2009

Sometimes Liz Draws

My friends Emily and Bailes are getting married this weekend, and I am chronicling their relationship each day iin an xkcd-style web comic.

It can be found at:
www.xkcEB.wordpress.com

The beginning, Day One, starts here:
http://xkceb.wordpress.com/2009/08/10/4/

To view the alt-text in Internet Explorer, hover over the image. To view the alt-text in Firefox, switch to Internet Explorer.

Sunday, August 2, 2009

Sesame Street presents: Mad Men

Sesame Street will be doing a Mad Men parody next season, and over on Jezebel they were fantasy-casting the Muppets in various Mad Men roles. Hate to break it to the Mad Men fans looking for a bit more actual parody in their Sesame Street, but here's how it will actually go:

Grover has a clipboard and a megaphone. Prairie Dawn, a camera.

GROVER
Alright, gather round people, gather round! Now today I, Grover, will be making my deee-rec-torial debut. So don't mess up! Places!

Bert, Ernie, Big Bird, Oscar, and others take places.


GROVER
"Mad Men," take one. Roll film, Prairie Dawn. Action!

The cast weeps. Big Bird blows his beak into a giant handkerchief.

GROVER
Stop! Stop! This is terrible!

ERNIE
Gee, I thought I was being real sad.


BERT
I was very touched, Ernie.


ERNIE
Why thanks, Bert.

GROVER
Quiiieeett! I don't want you to be SAD men. I want MAD! Sad is what you feel when the top scoop falls off your ice cream cone, or when your favorite toy breaks. Show me MAD!

EVERYONE

Oh okay -- We understand -- Yeah sure boss.

GROVER
Alright? Places! Mad Men, take 2. Action!

Everyone grins. Ernie giggles. Elmo dances around.

GROVER
No no no no no!

ERNIE
Was that better, Grover?

GROVER
That wasn't Mad Men! That was Glad Men! Way too happy, yes, far far too happy and glad. No happiness!


EVERYONE
Okay Grover -- Will do -- Not a problem.

GROVER
Okay. Good. Do you understand what I mean by mad? Like how you feel when you get woken up too early, or when you can't find your baseball, or when you have to eat a plate full of brussel sprouts.

EVERYONE
Ew.

BERT
Ooh ooh, brussel sprouts, I want, me!

GROVER
That is mad. Do you all know how to feel mad?


ERNIE
We sure do!

GROVER
Great! Wonderful! Fantastic! Show me the mad! Not sad, not glad - mad. Mad Men, take three. Action!

He looks at his cast, and suddenly they are all wearing plaid shirts.

GROVER
What is-- . Oh. I see. Plaid Men. You're wearing plaid. WHY ARE YOU WEARING PLAID I TOLD YOU TO BE MAD HOW MANY TIMES DO I HAVE TO TELL YOU--

ERNIE
Mad Men, take four! Action!

Prairie Dawn spins the camera around on Grover and films him going ballistic.


GROVER

--HOW HARD CAN IT BE TO JUST ACT MAD WHY DON'T THEY UNDERSTAND GROVER'S ARTISTIC INTENTIONS WHAT IS THE--

ERNIE

Now *that's* mad! Heeheehee!

Aaand scene.

Sesame Street's Liz Lemon

Wednesday, July 15, 2009

Philharmonic drinking game

What could possibly make the Philharmonic's concerts in Central Park better? By adding a drinking game, of course!


Every time the audience claps inappropriately (ie, between movements), chug through the length of the applause.

One drink for every time Didi & Oscar Schaffer get a shout-out
...for every fundraising plug
...for every mic glitch

During the pieces, drink when a cell phone rings
...when a cell phone is answered
...when a baby cries
...when someone walks directly across your picnic blanket

In the music, drink whenever there's a false ending
...whenever you can hear the violas
...whenever there's a chromatic scale

If something is repeated three times in the music, drink. This rule actually can increase your appreciation of the music! Tonight's program was Mozart and Beethoven, and it was interesting to keep track of how they each used and manipulated sequences and expectations.

Bonus rule! Drink every time Grace does a prairie dog dance.

Sunday, July 12, 2009

The Bus of The Doomed

Despite several years of regular ridership of the Fung Wah bus, I have never experienced buses full of chickens or Chinese chefs preparing raw fish en route or any of the other horrors that old people associate with the Chinatown bus, except for some godawful traffic. Honestly, I feel a little jipped. Where is my bus full of chickens?!

Last weekend, too lazy to schlep to Canal St, I took Bolt Bus instead. Turns out I've been taking the wrong bus line all along. Bolt is the Bus Of The Doomed.*

Bus driver:

"We are now approaching Boston - South Station. Please make sure to gather all your personal belongings, and wake any sleeping passengers. And I mean give them a good knock on the forehead. Last week we had a gentleman on the bus who appeared to be asleep, with his laptop open in front of him, but actually he had passed away in his seat. So please wake all sleepers. Now arriving, South Station."


Umm.


*as the Doctor Who special would be titled, natch.


Thursday, July 9, 2009

How my brain works

Facebook: Richard is Alternate Juror #1

Me: Hah, I hope that means he's an understudy in a production of 12 Angry Men. I've never actually read 12 Angry Men. I wonder how the character names are formatted. Like is it :

JUROR #3
Hang him high!

JUROR #9
Chill out, dude

etc? That would get really hard on the eyes. Maybe they write out the numbers, so it's like:

TEN
He's totes guilty.

FOUR
You always say that!

Although then it just looks like the script for a multi-Doctor story. Ooh!


And this is how the words "all 12 Doctors perform 12 Angry Men" appeared in my google search bar.

Saturday, June 20, 2009

NYT Fail

In the NY Times Book Review tomorrow, a review of the book "Digital Barbarism" begins as follows:

One of the more trenchant cartoons of the Internet era features a stick-figure man typing furiously at his keyboard. From somewhere beyond the panel floats the irritated voice of his wife.

“Are you coming to bed?”

“I can’t,” he replies. “This is important.”

“What?”

“Someone is wrong on the Internet.”


Anyone familiar with, well, the internet will immediately recognize this as the work of everyone's internet crush Randall Munroe, in xkcd #386.


But uncredited.

The article in question, which can be found here, is about copyright in the internet age, fair use, and outraged internet denizens. Fail.

Also note the interesting assumptions the article's author makes about the relationship and gender of the xkcd characters.

Jenny noted that the article was written by a Ross Douthat, which must clearly be the pseudonym of xkcd's black hat guy. Douthat is pretty much as close to douche-hat as one can print in the NY Times, so I'm gonna go with this explanation. Stay tuned to next week's book review for an extended series on velociraptors.


Major fail, NYT.

Wednesday, June 17, 2009

Valley Stream pride

There's an escaped lunatic on the loose in Valley Stream State Park. Or possibly an escaped kitty-cat. One of those.

I'm reading in the park, around 6 pm, and a helicopter passes overhead. And again, lower. And it quickly becomes clear that it is circling the park at low altitude. Since a string of ninjas didn't come out the drop door, it seemed safe to assume they were looking for someone.

Near me, a guy in a balaclava (also known as a ski mask) was practicing parkour. A balaclava. Mid-day. Mid-June. While exercising. Definitely a terrorist.

After a half hour, I head out. The entrance to the park is blocked by a police car, and a few cops are at the gate. I know for a fact that the other 7 entrances aren't being watched. I try to head back in to investigate, but they aren't letting people into the park now.

"You guys do know that the other entrances are open, right?"
"We're looking for someone we think is in this area."
"..."

The park, mind you, is maybe a mile around. So because I'm a punk, I bike around the outside of the park and re-enter from another entrance. Because no one ever taught me not to make fun of police officers. The other entrances are all open, as I'd thought, though one is being watched by a couple guys in South Shore Hospital uniforms. Undercover men. Or someone escaped the psych ward.

Back inside the park, two more cops are staring at the trees. There's a trail in there. The entrance to the trail is around a bend from where the cops are standing, out of their sight-line. Okay. Meanwhile, balaclava guy has fled the scene.

At the first entrance, another guy is questioning the cops.
"It's not the crime of the century or anything."
"Oh okay, so it wasn't violent."
"I didn't say that. You move along now."

I'm figuring those darn kids stole Baby Lindbergh from the manger again.

Eventually I got bored of watching my tax dollars at work. Nassau County police are the highest paid in the country. Way to earn it, guys.

Monday, June 15, 2009

I made eye contact with Gerard Butler while doing the Chicken Dance

So there me and Candace were. Minding our own business. Doing the chicken dance in front of Penn Station. Because we had decided to walk from 23rd St. to Times Square by doing a different dance down each block. Naturally. And 34th St. was the chicken dance.

So we're minding our own business, doing the chicken dance, and the "clap clap clap clap!" part was getting a lot of attention. Not as much attention as our zombie walk got on 25th, but heads were turning. Including the head of Gerard Butler. And the rest of him. As well as his personal gentleman. He looked at us like we were crazy. With good reason. But he was dancing on the inside.

I smiled and waved at Mr. Butler. I didn't know who he was (of course). Candace informed me on the corner. And then we continued on our merry way, Macarena-ing down 35th.

The end.

Friday, June 5, 2009

Citing Safety Concerns, Harvard Solves Problem of Race

By Liz & Ben

CAMBRIDGE, MA -- The Harvard Admissions Office announced today that it would reverse its longstanding promotion of equal opportunity through the consideration of race in its decisions.

The move comes in response to the recent discovery that even African-American students who are three weeks from graduation are still dangerous criminal thugs.

"It's a shame", said William Fitzsimmons, Dean of Admissions. "After years of believing we were educating these kids, it's turned out that they are just as black and poor as they were before they enrolled."

Dissatisfaction with current policy reached a breaking point after the shootings in Kirkland house last month, in which Jabrai Jordan Copney of New York City allegedly shot Cambridge resident Justin Cosby in a drug-related incident. The spotlight quickly shifted to Harvard senior Chanequa Campbell, who, to the shock of many, was acquainted with the victim.

"I've known Channy for years, but I never saw this coming" said Chanequa's classmate, Eliot Canaday III. "Who knew she was still "down" with the "street?" Sure, she still looks black, but I mean, this is Harvard."

Widely criticized for failing to prevent this tragedy by properly assimilating black students into Harvard culture, the administration has responded with sweeping policy change. "Decades of occasional effort and perhaps hundreds of dollars have gone into Harvard's attempt to educate all students equally," said President Drew Faust in a video address yesterday, in which she appeared with several armed guards and a pitbull. "But it is time to acknowledge that these efforts have jeopardized the safety of our real students."

Harvard is calling its decision vital to maintaining the 371-year-old institution's educational integrity, but Plummer Professor of Christian Morals Peter J. Gomes disagrees. "This runs contrary to many years of progress towards the true American dream - to take any lump-of-clay students, whether financially, ethnically, or genderly challenged, and mold them into affluent white men."

Outside Cambridge the change has been applauded, except in the handful of newspapers not published by former Crimson editors, and Yale and Princeton have quickly followed suit. "We have been preparing to unroll a similar change for the last 19 months," grumbled an anonymous Princeton official, "but now that the cat's out of the bag: fine, us too." Neither of Princeton's black students could be reached for comment.

Meanwhile, student life has continued as usual. Junior Fulbright A. Rhodes didn't even notice the change. "The black kids, you know, they kept to themselves. Only time you saw them was at school-wide events, like formals and stuff. And even in tuxedos, they always ended up looking like the hired help anyway."

Wednesday, June 3, 2009

Well, Hello WALL-E

Fun fact:

Jerry Herman, the composer of Hello Dolly, knew last year that he'd licensed some of his songs to Pixar. But he didn't know what they'd be used for. Until he sat down and watched WALL-E. [HuffPo]

Can you imagine? Not only the surprise of having your fifty-year-old songs - by far not the most widely remembered in your songbook - turn out to be a major plot point in this fantastic little movie... but also that this fantastic little movie says your fifty-year-old songs are going to OUT-LIVE CIVILIZATION?!


In other news, despite the unlikely immortality of the b-tracks from Hello Dolly, the Tony Awards last night confirmed that musical theater has jumped the shark.

Sunday, May 17, 2009

1:41 am on the LIRR

Announcement upon changing trains at Jamaica:

This is the train to Long Beach. Ladies and gentlemen, as part of our Clean Train Campaign, please be aware that there are restrooms located on every other car of this train. With the combination of alcoholic beverages, fatty foods, and the rhythmic motion of the train, please remove yourself to one of the restrooms if you feel the urge to yak. The next station is Locust Manor.

Sunday, May 3, 2009

The Writer's Tale - a gloss


To: Benjamin Cook
From: Russell T. Davies
Sent 23 December, 03:45 AM
Subject: re: re: re: David's arse

I've got it! The great "Maybe" swirling around my head has finally come together into the perfect image: Midshipman Frame! And Ianto Jones! Fighting intergalactic crime! Shirtless! On a giant CGI pterodactyl! And then dying tragically in each other's arms! Oh, I'm brilliant, I am.

I'll have to give the Doctor something to do, don't want to upset David. He can blow up Wales I suppose. But it's perfect! All I have to is cut 2563 CGI days from the rest of the BBC's lineup to pay for it. And we were supposed to start filming three months ago, so I reckon I need to convince the Queen to push Christmas back a couple weeks. But she owes me one.

To: Russell T. Davies
From: Benjamin Cook

Dude, we finished the damn book. Stop using these emails as an excuse to write fan fiction about your own bloody characters.

To: Benjamin Cook
From: Russell T. Davies

I was wrong. I'm a fraud. It's hollow and vapid and fannish and trite, and it can't possibly work. But we're gonna go ahead with it anyway because I haven't got anything better. I need a drink.




[I actually really enjoyed The Writer's Tale and highly recommend it. But it is oh so easy to mock.]

Wednesday, April 29, 2009

I suck at British

Four consecutive tweets:

Apparently the British for "emergency room" is Casualty. As in "she's going into labor, we have to get to a Casualty." How morbid is that?


And there's a BBC soap called Casualty (like ER), but for the longest time I misread it as Causality, which sounds like a much better show.

Crap I meant "she's going into labour." I suck at British. It's labour for all meanings of labor, right? She isn't switching parties...

oh god and there's no article for hospital. "She's going into labour, we have to get to Casualty." There. Glad I have no British followers...




Anglophilia fail.

Saturday, April 25, 2009

Changes for Samantha

I received a copy of the American Girl catalog in the mail today, for some reason. I used to love the American Girl catalog. I spent most of elementary school optimistically marking up every issue with circles and stars, hoping that I might get more than one new doll outfit this Hanukkah (I never did. I also desperately wanted Kirsten's summer dress, and kinda still do). So I sat down with the catalog, prepared for a happy nostalgia-fest.

I knew the company had de-emphasized the core historical dolls in recent years, in favor of "girls of today." But I was pretty shocked to see that each historical girl (many of them strangers - I aged out of the series somewhere between Addy and Josefina) now only gets a two page spread in the catalog. Where's Felicity's four-poster bed? Where's Molly's canoe? Where's Samantha's school desk, with the wrought iron curliques for hiding notes? In fact... where's Samantha?!

Samantha is going back into the American Girls vault.

This? Not okay.

I know, I know, the American Girl books were designed to sell dolls. Insanely expensive dolls, and their insanely expensive (but oh so charming!) clothing and furniture. But, if memory serves, they were also AWESOME.

The books did an honest job of turning history into understandable narrative, and the dolls turned narrative into interaction. Their stories didn't shy away from tackling the darker issues of the girls' times, either - racism, classism, war, poverty, and child labor were part of these characters' lives.

Sure, the history was sometimes a little vague. I remember being totally confused about Molly's chronology. My interior monologue, circa 1992: "There's this huge war going on, and war is something that happens in the past. But she's got refrigerators and cars and stuff, so clearly this is present day. What war is this? Are we at war now? I'll sound stupid if I ask someone. I think I'll just stay confused until I'm 15."

But I also learned that poison ivy means getting covered with chamomile lotion (Molly Saves the Day). And that little girls with poor parents have to work bare-foot in factories (Samantha Learns a Lesson). And that the black character is always going to have the crappy story lines / accessories (poor Addy*).

My sadness at the loss of one of the original three girls (Molly and Kirsten are safe for now) is especially strong, I admit, because Samantha is MY girl. I had the doll, and her little white fur muff, and her sailor outfit with the whistle, and the change purse with the penny from 1904. We couldn't afford to get the matching clothes for me. But Allison Kresch wore Samantha's plaid dress to synagogue one Shabbat and omigod I was so jealous. So see! It wasn't only the books that taught about class differences!

I fear that Samantha's jettison is another step on the American Girl Company's path towards abandoning the historical line altogether. I hope that they are just cashing in on the Disney Vault concept, and will be periodically shelving each girl for a few years at a time to scare up sales. But it is all too likely that Samantha, Felicity, and Addy are being phased out to make room in the stores and catalogs for the likes of Madison, Brooke, and Taylor, with shiny little dolly iPods and dolly MySpace accounts.

The books aren't going anywhere, but the dolls themselves serve a legitimate purpose in a market glutted with Barbies and Bratz. Yes, they're only accessible to rich kids, and that's pretty gross. But rich kids getting decent dolls is still better than no one getting decent dolls. And if you're gonna buy a kid a $90 doll, she damn well better come with six novels worth of back story.




From left:
my Native American doll Lily (named for Tiger Lily),
my Romanian doll Stashie, and my Samantha.
And a Dalek, but he's a more recent addition.


*actually, Addy reminds me of Martha Jones. Both intrinsically awesome yet really poorly used by their series. Also, Kendra from Buffy. And Uhura.

Monday, April 20, 2009

Unpopular Opinion Monday

Susan Boyle ain't much of a singer.

I enjoyed the clip from "Britain's Got Talent" as much as anyone. It was a fabulous five minutes of television.

But you know who deserves credit for that excellent video? It ain't Susan Boyle. I'm sorry, internet hordes, but she's just not much of a singer. Strong voice, but untrained and with no range (can *you* hear the "but the tigers come at night" low note? which isn't low at all?). She is no different than anyone else on these Idol shows - she's just uglier.

The people who really deserve credit for the Susan Boyle video are the people who put it together - the director and editors who took the raw footage and made it heart-tugging. In fact, I just spent ten minutes trying to find the program's credits, to give the crew some truly deserved props by name, but even ITV's website snubs them.

Congratulations to the crew of Britain's Got Talent - your video went viral. Congratulations to Susan Boyle - you lucked out, big time.

And for the rest of you... You can stop patting yourselves on the back. It is no different and no better to be wowed by Susan Boyle because she sang better than you expected, than it was to expect a joke in the first place.



...Plus I've had Les Miz stuck in my head for a week now and it's really not okay.

Wednesday, April 15, 2009

Twitter

I have been talked into joining Twitter. Or rather, Jeana said "why aren't you on Twitter?" and I said "dunno."

http://twitter.com/LizWeinbloom

Facebook's jumped the shark anyways.

Wednesday, April 1, 2009

Little Einsteins; or, the decline of civilization


I am a big supporter of children’s television, but I have long been skeptical of preschool programming. With the very notable exception of Sesame Street, which is designed to be awesome for parents as well as toddlers, television for preschoolers is largely inscrutable to grownups. There’s just no accounting for the taste of 2-year-olds. Probably because they shouldn’t be watching tv at all.


Often, preschool programs employ the “interactive” model of Blue’s Clues and Dora the Explorer, in which the viewer is asked direct questions by a protagonist who blinks far too infrequently for comfort. On some level I eagerly anticipate the art that will someday be created by a generation whose concept of the fourth wall was demolished so early on – in my day, kids’ tv only got as meta as the seriously over-branded Where’s Waldo, which froze the action intermittently so we could run up to the screen and, you know, find Waldo. But on the whole, these “interactive” shows (and I will never ever call them interactive without a liberal dose of scare quotes) are labeled as educational, while being benign at best – and, far too often, actively idiotic.


Today I watched Little Einsteins. You might have heard of the Baby Einstein brand. The tv version is a Dora-style show on the Disney channel that promotes arts literacy or something. [Note that the actual baby Einstein was deemed to be no Einstein; irony is an undeveloped muscle in the world of preschool programming].

Now, I have no quibbles about the value of arts literacy. I myself once wrote a pitch about talking paintings, though largely to cannibalize art puns from a failed project about singing paintings. And then I discovered that Sesame Street had already done it, as there is no good idea that wasn’t done first and better by the Muppets. Twice.


My quibble is not with the end, but the means. The thought process behind the Baby Einstein franchise is that context-less exposure to Mozart and Picasso at an early age will stay in the system – like acid – and conveniently resurface sixteen years later in the presence of a Harvard admissions officer.


In practice, this means assigning each episode a painting and symphony (in the episode I watched, “Go West, Young Train,” these were a Navajo basket and a phrase from Bizet’s L’Arlsienne Suite #2), and randomly inserting them into a Dora-style problem-solving adventure. But the problem is not at all related to the art. A little red train in the Old West was on its way to a hoe-down, you see, and its bag of goodies – including three violins that ghost-bowed the Bizet, because what’s a hoe-down without some French ballet scoring? – was stolen by an evil jet plane.


Sure, whatever. How about that art? Well, the Navajo basket was not woven into the events, but served as a backdrop. The little red train chased the evil jet into a cave (don’t think too hard, now), and the cave happened to look like the basket. Not that the basket was used as a map or anything. The idea is to divorce the art from its context, remember? They just went into a cave that happened to resemble that basket we saw in the opening credits.


On the music side of things, four measures of Bizet are sprinkled liberally through the soundtrack. A time-honored way to exploit the public domain teach classical music, though Bugs Bunny was a bit more willing to get past the opening phrases. But Little Einsteins goes one better than “What’s Opera, Doc” and uses the Dora model to teach real live music vocabulary too.


Dora’s claim to fame is, of course, the Spanish words. Her dialog is punctuated with random Spanish exclamations (“clap your hands mas rapido!”) that may or may not increase children’s comfort with bilingualism, depending on who sponsored the study. But when Little Einsteins borrows this technique, the result is dialog like this:


“The little red train is going andante, but the evil jet is going allegro! Help the little red train go more allegro!”


What. the. fuck.


Let’s ignore the fact that words like andante and allegro are completely useless for anyone who isn’t, say, sightreading a score or writing liner notes. This vocabulary is not only completely useless, but decontextualized to the point of meaninglessness. Tempo and velocity are NOT THE SAME THING. You can’t “go allegro”! You don’t walk allegro any more than you play the piano at 55 mph. Granted, I have had several conductors fond of obliterating traditional boundaries of units of measure (“the sopranos are two octaves behind and a golf course sharp!” – Dr. Jameson Marvin). But this is ridiculous.


Programs like Little Einsteins will not make your kid smart. They will quite possibly make your kid stupider. But at least they’ll be able to hum four measures of non-Carmen Bizet. And that’s more than you can.


Friday, March 27, 2009

Photo linkage

This post is solely so I can link back to this photo in an io9 comment.


Nothing else to see here, moving on...

[well, actually, I suppose there's the photo to see. Which is of some excellent people wandering the streets of Cardiff dressed as 10 and Jack.]

[comments on this photo in its facebook album:
Reha - Captain Jack's heels are the best thing ever.
Me - Not quite authentic though - you know the real Jack's heels would be three inches taller and sparkly.
Reha - Haha, they surely would. Possibly the kind with fish swimming inside, except they'd be ALIEN fish out to destroy the world.
Me - ::goes off to write that story:: ]

Wednesday, March 4, 2009

Point-missing, Spoilery, or Otherwise Amusing Translations of Movie Titles

It was raining a lot in Sevilla, so Jenny and I amused ourselves by making this list in a FNAC.

Point-missing, Spoilery, or Otherwise Amusing Translations of Movie and TV Titles
(key below)

  1. Mejor... Imposible
  2. Desayuno con Diamantes
  3. Atrapado en el Tiempo
  4. El Invisible Harvey
  5. Urgencias
  6. Expediente X
  7. A dos metros bajo tierra
  8. El Sueño de mi Vida
  9. Descubriendo Nunca Jamás
  10. El Caballero Oscuro
  11. La Guerra de las Galaxas
  12. Padre Made in USA
(the originals)
  1. As Good As It Gets
  2. Breakfast at Tiffanys
  3. Groundhog Day
  4. Harvey
  5. ER
  6. X-Files
  7. Six Feet Under
  8. 13 going on 30
  9. Finding Neverland
  10. The Dark Knight
  11. Star Wars
  12. American Dad


Bonus book section!

Los Cuentos de Beedle el Bardo


Also, Harvard fails at policing unauthorized uses of its image overseas, apparently:

Tuesday, March 3, 2009

Monday, March 2, 2009

I bought more underwear. It was cheaper than doing laundry.

Also, Seville has a shocking lack of barbers.

Monday, February 23, 2009

Not the planet Barcelona

Which is to say, I'm probably gonna post more now, because now it doesn't have to be prose.

I sent an email to CERN when we got to Switzerland the other day, asking about tours. I addressed it "Dear CERN or Madam."

This may explain why I have not heard back.

Tomorrow I'm going to Barcelona. Don't get up.


Song starts at 1:20.
I think I'm going to be giving up this travel blogging thing, because typing up my journal really takes much longer than I expected. So I say au revoir (with a really revolting French accent, but Jenny is tutoring me) with a couple lists.

Favorite names for Underground stops:
  • Elephant & Castle
  • Tooting Broadway
  • Cutty Sark
  • Cockfosters
  • Barking
  • Ickenham
  • Bounds Green
  • Swiss Cottage
  • Wembley Park
  • Canada Water
  • Heron Quays
  • Shepherd's Bush
  • Mile End
  • Stepney Green
  • Burnt Oak
  • Chalk Farm
Favorite names of varieties of roses in Regent's Park, as indicated by little signs next to thoroughly dead twigs in the ground:
  • Perestroika
  • Top Marks
  • Yesterday
  • Buff Beauty
  • Golden Celebrations
  • Wife of Bath
  • Vidal Sassoon
  • Eye Paint
  • Eye Opener
  • The Times
  • Razzle Dazzle
  • Bruce
  • Summerfield Miranda
  • Tiddles
  • Conspicuous
  • Dr. Eckener
  • Narrow Waters
  • Tall Story
  • Falstaff
  • Cardinal Richelou
  • Mayor of Casterbridge
Bon voyage! (you mean bon voya-guh)

Friday, February 20, 2009

"You're going to Cardiff? Why?"

The Doctor and Rose Tyler walk down a snowy Victorian street. Rose is gleeful, but the Doctor glances sullenly at a newspaper.
Doctor: I got the flight a bit wrong.
Rose: I don't care!
Doctor: It's not 1860, it's 1869.
Rose: I don't care!
Doctor: And we're not in Naples.
Rose: I don't care!
Doctor: We're in Cardiff.
Rose: ....right.

Caerdydd! Home of Doctor Who, the Millennium Centre, and, um, a castle. Rather lovely, rather dull. Perfect place for a day trip, if you do it right. Which I did not. I was in Cardiff for a total of 23 hours, but only eight of them were at all viable.

My train got in at 3 pm, and after checking in at the (really nice, highly recommended) NosDa hostel, I walked down the river to the bay. Predictably, I started at the Doctor Who exhibition, but... it was a bit unthrilling. Just costumes and flashing lights and the occasional panel with an episode summary - like anyone visiting a DW exhibit would need such a thing - and some animatronic Daleks. Even the gift shop was pretty lame. So the most obvious stage of my Doctor Who pilgrimage was a bust.

But outside was the Millennium Centre, which really is impressive in its own right. Welsh is a beautiful and absurd-looking language, so a massive carved wall of Welsh really does make for an interesting and worthy city icon. From there I started a walking tour I'd printed from the BBC website, which was theoretically supposed to take four hours. It actually took 20 minutes. There's just not all that much to see. Roald Dahl Pass is just some pass named after Roald Dahl. And there's, like, a church. Meh.

But I turned on the little boardwalk around the bay, and lo! There was the entrance to the Torchwood hub! I was very impressed to find that the geography of the hub's area, as shown both on Torchwood and the parent show, is consistent with the real world (ie, Jack was running from the right direction in LOTL, etc). The hub's door is covered by a rusty grille, with some old newspapers tacked up behind it. I took a closer look. "New Mayor, New Cardiff" announces a headline, under a photo of Margaret Blaine, nee Slitheen. Squee! Enormous squee! I guess it's just been chilling there since they filmed Boomtown in 2005. You can keep your animatronic Cybermen and life-size talking Daleks - this is the sort of thing that fills my heart with fannish glee. I was grinning like mad for a good ten minutes.

There was one other happy fan moment of note - spotting 10 and Captain Jack waiting for a bus. If you're gonna do cosplay, boy, wandering around Cardiff dressed like Jack Harkness is the way to do it. Plus there are few images more hilarious than the Doctor boarding a public bus.

Alas, after having exhausted all the outdoor sightseeing, I suddenly discovered that it was 5:30, and EVERYTHING had closed. The restaurants and bars were open, but that's of no use to a solo traveler. Also, everyone appeared to be in high school.

And so, at a loss for what else to do on a Tuesday night in Cardiff, I went to the movies. And by "went" I mean "accidentally snuck into." And by "accidentally snuck into," I really do mean "accidentally snuck into." I think they use an honor system or something? Whatever. I was on an escalator, and next thing I knew I was in a cinema, and a movie was about to start. So I sat down to watch it.

It was "Twilight."

Okay, so, I really enjoyed it! Which is to say, I really enjoyed it in the way that I didn't enjoy the Dirty Dancing musical. Here was some awfulness that you could really sink your teeth into! Fangs, rather. ::rimshot::

I'd sort of gathered from the zeitgeist of Twilight-hate that the most objectionable element was the pro-abstinence shilling, but that is so very much the least of its problems (and not at all present in the first movie). Rather, in the very established tradition of classic vampire stories (cf, Dracula), Twilight is a rape fantasy. And a stalking fantasy. That huge creeper in bio lab is not a huge creeper if he has dreamy eyebrows. Being stalked is not only okay, but desirable! As is ditching your friends, family, and life for a guy. And ignoring all warning signs, of the flashing neon variety as well as menacing folktales from your token Magic Red Man, that the guy is a huge creeper. Who watches you while you sleep. And follows you around town. Oh my god I feel dirty just thinking about it.

Twilight actually made me cry. I cried from frustration, and anger, and sadness that in 2009 I was watching this movie in a theater full of 10-year-olds and their mothers. It was the sexuality, gender, and genre issues that were tackled by Buffy, but with all the nuance, awareness, and problematizing thrown out the window. Poor, poor Joss. He tried, he really did.

After that exercise in frustration, I hung out at the hostel bar for a few hours with a sargeant in the American army who just finished a ten month tour in Afghanistan, and a street magician on his way to a magic convention in Blackpool who currently lives in Spain but migrates with the tourist season. I didn't tell them a thing about myself, because jeez did I lose on the interestingness count in this crowd.

In the morning I visited the Cardiff Castle, which despite being many centuries old was entirely gutted in the 1890s, so that was also a bit unimpressive. Mostly I liked the pen of falconry birds, who were there not to put on a show for the tourists, but to keep pigeons and squirrels out of the castle. I was particularly enthralled by the bold orange eyes of the eagle owl, though I don't know if I found him terrifying or wanted to give him a cuddle. And then I wandered through the very nice city center till my train back to London, and discovered that Cardiff has great shopping, if only you're there during daylight.


So for anyone planning a trip to Cardiff: Travel at night. Bring a friend for the bars. And dress like Captain Jack.

Monday, February 16, 2009

Cambridge, UK-flavour

Cambridge, Cambridge, Cambridge. I just returned from a weekend in Cambridge, and oh my. It is just so excessively, ridiculously beautiful and ancient.

When you see Harvard for the first time after seeing other colleges, you may find yourself thinking "Oh, so that's what they're trying to do." And then you see Cambridge. And no, no - THAT's what they're trying to do. I think this may even be an appropriate situation to get a bit Platonic, vis a vis C.S. Lewis. Harvard is the Shadowlands of Cambridge. It's nice enough in its own right, but Cambridge is the real thing.

However, the first thing I did in Cambridge was to... see a lecture by one of my old Harvard professors. About Harvard. I was visiting my wonderful friend Con, who is a Harvard-Cambridge fellow, and he and the other fellows were attending a lecture by the Reverend Peter J. Gomes, Professor of Christian Morals and all around enjoyable fellow. It was the tenth anniversary of something or other (possibly the tenth anniversary of the 300th anniversary of something else?) and so Gomes was invited to speak.

The Harvard fellows and I were the only people at the lecture who were 1) not in academic gowns, and 2) not white old men. Gomes himself excepted on the latter, of course. His lecture was on the historical connection between Harvard and Emmanuel College, and though the topic was more interesting in Gomes's hands than it would have been in anyone else's, it still got a bit dull. I did perk up at an unexpected Radcliffe Choral Society shout-out, though! We performed at the tricentennial of something or other, apparently. Guess the Glee Club has somewhere more exciting to be for that one.

After the lecture, Con and I explored. Con hadn't explored most of the Cambridge colleges, and he takes very seriously the rules about not walking on the grass and not wandering past fences marked "private". I, however, remember fondly a very silly evening exploring Jesus College with Jenny and Kavita and a video camera, and additionally have a personal mission of helping my more rule-laden friends to unburden themselves of these issues, so explore we did. We even walked on the grass. A little.

In typical Con fashion, he got himself a concussion last week, so he couldn't drink and forgot the odd English word here and there. At dinner, he said something like "I'm glad I had food, my poor concussed brain needs the primary sources." I looked at him, puzzled. "Oh, wait, I mean... raw materials! Needs the raw materials." I found this a fascinating slip. I, and many people, would replace a forgotten phrase with something that sounds similar, or something of like context. Con's brain used a phrase that was conceptually equivalent in a completely different frame of reference. I have smart friends.

On Saturday, Con and I took a walk to what he'd called a magical discount shopping heaven, which turned out to be... T.K. Maxx. Like T.J. Maxx but, umm, with a K for some reason. Only difference seems to be that at the UK version, they sell Dalek voice-changer helmets at the checkout line. I am both pleased and disoriented to be in a land where my obscure, esoteric obsession is the stuff of discount center checkout queue doodads.

We spent rather a long time at the grocery, because we like groceries, and had a lunch of random items from teh deli counter, each of which turning out to be another unappetizing variation on greyish meat wrapped in dough. Oh, Britain! Then we went to a JCR-type thing back at Trinity and cooked... casado! Well, actually, gallo pinto. Rice and beans. (this is because the last time I saw Con was when I stayed with him during Costa Rica tour, after having spent the previous three weeks eating nothing but rice and beans). We had a lovely Valentine's dinner party for all the Cambridge Harvard lonely-hearts.

And then Sunday we were supposed to go punting, but the punt rental companies disagreed due to some bothersome rain. So we went with our plan B of walking over the meadows to Grandchester. Rain and snow meltage had turned the meadows to marsh and the path to mud, but we decided to sacrifice our shoes and sludge ahead. It felt very authentically British, slogging a half hour through mud on a grey day to reach a tea place. Sunshine would have been lovely but wrong. And anyway, Sylvia Plath used to do this walk regularly (along with a litany of other literary figures, as the brochure at the tea place was quick to note), and she never would have stood for sunshine. And it was still quite beautiful, if squishy. Over tea in Grandchester, we decided that the only person worthy/capable of sustaining a relationship with Peter Gomes would be Garrison Keilor. They could orate anecdotes at each other from across a very long breakfast table.

Then a sludge back to Cambridge, and a lovely choral evensong at Trinity Chapel, and more exploring and hanging out. Cambridge is a wonderful place, and it sounds like students there are held to amazingly higher standards than at Harvard, and actually receive, like, educations worthy of the institution's reputation (whoa, novel idea), and basically I am jealous and want to stay.

In other news, Jelly Babies are surprisingly good.

Saturday, February 14, 2009

London, day 1

12 February 2009, 16:30

Today is the bicentennial of the birth of Charles Darwin, and I am sitting in Westminster Abbey, waiting for a ceremony in his honor. I think this is nine kinds of awesome. But it is bloody COLD.

My hostel in London is just down the block from Southwark Cathedral, home of the John Harvard Chapel and a particularly sparsely attended RCS tour concert in 2006. After arriving from the airport and checking in, I popped in to Southwark to see if there were any visiting choirs I could go support, but sadly, there are none. Unless their pubmen are slacking. I gave a hello to the Harvard chapel and got trapped in a noonday prayer. At least I didn't get trapped in the dressing room this time...

I walked along the bank of the Thames for the next few hours. I love listening to people talk as they walk past - there's so much variety in British accents! Even within the London accent. I can't place the accents, of course, though I'd like to pull a Higgins and write out speech patterns in IPA, but at least it is in my ear well enough now that I can hear the variance.

I spent a couple hours at the Tate Modern, which is my favorite modern art museum. Granted, I'm only comparing it to MOMA, but I can only enjoy MOMA ironically. Outside, a street musician was playing Bolero on a steel drum, and if you bear in mind that Bolero's sole reason for existence is as an exercise in orchestration, you'll gather the silliness of the arrangement for solo steel drum.

After a couple hours at the Tate (favorite piece: Roy Lichtenstein's vamp on Monet's haystacks), I continued down the embankment till I hit the London Eye, the big ferris wheel. Now, I'd meant to do my Doctor Who tourism all in one set, but hey, there I was. So I ran across the bridge to the Parliament side and stood by the Royal Air Force memorial and imagined that the blue-ish smudges on the pavement were from the TARDIS. ::shame::

13 Feb 2009, 15:00

Evensong was lovely, and afterwards we huddled around Darwin's grave for a wreath-laying and some words. From there, I was expecting a public forum on Darwin and (vs.) God, so I made my way through the cloister to the event.

At the door, a vicar was checking names on a list. Odd. My name wasn't on any list, but he let me in anyway. At the next door I was handed a glass of wine. Also odd. With a little investigation I determined that this was actually a book launch, invite only, and the debate I had in mind was actually in May. Ah well, might as well enjoy a book launch!

I had a lovely chat with an archivist of Darwin's letters. The whole evolution/creationism divide that stirs up so many emotions in the States is, apparently, quite unknown in the UK. The book being launched, "Darwin and God", was the first on the subject to be printed in the UK. She asked me why the fuss that's risen at home in the last few decades, and I could only guess at the causes. Reaction to increasing secularization of public life? Political rise of the Christian right? An exceedingly potent production of Inherit the Wind? Or perhaps Americans really are, on this as well as a host of other issues, rather a bit stupid.

A waiter came around intermittently, re-filling wine glasses, and I had to actually keep a close count this time, as I had the rare occasion to invoke my "# of drinks < # of hours slept out of previous 48" rule. A good rule, and a rule that should probably go without saying, but on such occasions it can be quite necessary.

However, the rule only works to prevent disaster - it is not an efficient safeguard against standard issue poor-decision-making. And, oh, did I make a poor decision.

You see, I accidentally went to a musical. How does one accidentally see a musical? Let me tell you how one accidentally sees a musical. One accidentally sees a musical by walking through the theater district. Alone. At 7:30. With nowhere else to be. Tipsy. That's how you accidentally see a musical.

It was Dirty Dancing: The Musical.

I have seen some pretty bad theater in my time. I don't mind bad theater - I mean, I DO, in that it is a frustrating loss of time and money, but often you can learn as much from seeing it done wrong as from seeing it done right. And Dirty Dancing really is a promising candidate for musicalization, whatever your feelings on the film itself. Cult following + strong clear emotions + intrinsincally theatrical subject matter + period setting = musical.

However. Dirty Dancing: The Musical was not a musical.

There were no original songs. But it wasn't a jukebox musical either. Convention would be to put contemporary popular tunes into the mouths of the characters, but Baby and Johnnie never sang. So they danced their emotions, right? Well, they did dance... to the songs in the movie soundtrack... but they never danced outside the "we're practicing for a performance" context. And yet, it had a musical book. This was a libretto that someone wrote before finding a composer and lyricist, and then decided that composers and lyricsists are totes overrated, and staged it without 'em. Dirty Dancing : The Musical is a musical. Just someone forgot to write the songs.

I left shortly after intermission.

Thursday, February 12, 2009

A Much Better Start

21:00

Oh my god. I am NEVER FLYING COACH AGAIN.

We've all walked through business class on our way to the not-so-cheap seats, and marveled at the absurdly spacious armchairs, and at the same time wondering at the suckers who would pay through the nose just for a nice chair. Well, let me tell you. I am now finishing my first hour on the other side of the curtain, and as God as my witness, I am never going back.

I am here through the grace of my cousin Jeffrey, who works for Delta and hooked me up with stand-by tickets. And stand-by, aside from being much cheaper than regular rates, also comes with a very high chance of being put in business class. Because really, who the hell is going to actually *pay* for these seats?

Ah, the seat. It has eleven different configurations, as well as a reading lamp, a real pillow and duvet, and personal viewing screens. I've only ever had a personal screen on one flight before - also a red-eye on which I was supposed to sleep, but instead watched the entire Godfather trilogy.

But best of all, I had not one but two mimosas in me before we even reached the runway. And lord almighty did I need them (cf: passport drama).

After take-off, we were also offered today's NY Times (I guess it will be yesterday's London Times upon arrival?), and hot towels, and a goody bag containing such useful bits of awesome as an eye mask, ear plugs, mouthwash, hand cream, toothbrush, lip balm, and hospital socks. I LOVE HOSPITAL SOCKS. And while I wrote that last sentence, I was delivered a plate of salted nuts (I guess people with allergies aren't allowed in business class) and a glass of red wine.

My plan: see if my private telly has got any Doctor Who. Eat and drink everything put in front of me. Get thoroughly tanked. Repeat until London.

A girl could get used to this...

22:00

Another glass of red wine down, and the future seems a good deal more cheery.

I just had a first course of Moroccan crab salad, cream of asparagus soup, and a Greek salad, while listening to an excellent recording of Beethoven's 7th on fancy noise-canceling headphones, and all is well with the world.

Next up: beef and Mussorgsky.

23:00

Dinner: Grilled fillet of beef (very good!) with bearnaise sauce, accompanied by potato gratin and broccolini with hazelnuts. The planned Mussorgsky was replaced by Madonna (same difference?), and I could hardly touch my dessert platter of fruit and cheese.

When the plates were cleared, I curled up under the duvet with my third (fourth? who knows) glass of wine and watched The Fires of Pompeii, which is much more marvelous than I remembered, and daydreamed about how cool it must be to be James Moran and get to watch your own episode on airplanes. By the end of the episode, all that wine had done its job; I was knackered. And though I would love to continue enjoying the television sampler, sleep is now necessary. Sad!

09:00 (London time)

I slept till the end of the flight. Right through breakfast, I'm afraid to say. The bloody flight was just not long enough. And how often do you get to say *that*?

10:30

On the Picadilly line, en route to central London, and I miss my flight already. It was looking yesterday like I'd miss my flight in the more conventional sense of the expression, but I daresay I prefer this sort of missing...

Wednesday, February 11, 2009

An Inauspicious Start

(I'm gonna backdate (backtime?) entries that I write by hand to reflect when they were actually written)

For two hours this afternoon, I could not find my passport.

It had been in plain sight for, oh, six months. It was my primary id in November, when I lost my wallet. It spent several months atop a pile of stuff in the den. It came to Florida, quite unnecessarily, just a few weeks ago.

Question was - did it come home?

For two sickening hours, I thought the answer was no. Or rather, for one hour I thought that Mom had stuffed my passport in a drawer in a cleaning fit and forgotten about it. And then for another hour I was convinced I'd left it in Epcot and that was the closest I was ever gonna get to Europe this year.

I was nauseus, I was panicked, I was deer-in-headlights'd, I was plotting how I could go into hiding for the next few weeks so I wouldn't have to tell everyone what happened.

And then I pulled the den couch forward, and burst into tears. Thank fucking god.

Back to packing...
What's the best thing to do when your economy has gone to hell? Go spend money in someone else's!

This blog is going temporarily travel-style. Tonight I fly to Heathrow to begin a whirlwind European tour, featuring... London! Cambridge! Cardiff! Tours! Geneva! Sevilla! Granada!* Barcelona!** ***

I intend to update from each city. Say hi if you're checking on me, so that I bother spending a euro at the internet cafe.

Time to pack!!!

*Or maybe Madrid instead of Granada? Opinions welcome.
**The city Barcelona, not the planet Barcelona.
***Don't get up.

Friday, February 6, 2009

Most re-watched tv moments

Considering how much I care about the few shows I do watch, I watch very little television. I'm currently following two programs (the ones with the word "house" in their titles), and that's a lot for me.

I am, however, a re-watcher. But I don't re-watch entire series. I rarely even re-watch entire episodes. I just watch scenes. And some scenes I watch more than others. a LOT more than others. Particularly the short ones that are under 3 minutes. Like, some scenes I just put on the way I would put on a song. Is that weird?

On the train today, I made a list of my most-watched tv moments. Because I like making lists. Shut up. And I noticed something very interesting.

None of them had dialog.

Or minimal dialog, whatever. The dialog wasn't the important part. They were all visual moments with very strong music cues. Which works nicely with my scenes-as-songs analogy. But conventional wisdom places television closer on the spectrum to theater than film, in that its primary language aural, not visual. But the fact that my go-to list of tv moments are about images and not words is a helluva reminder that it is a visual medium after all. And that a good song cue is key.

Anyway, here's my list. And this is not my list of my favorite moments, or the best moments. Just the ones I have bookmarked on youtube, because I watch them that frequently.

The beginning of Life on Mars

Also the party scene from the first season finale, and the rooftop scene from the second season finale. These are all the same scene, of course. And yet collectively they out-pace everything else on this list by a mile.

The Master's Scissor Sisters dance break

At first I thought the trend in the list was going to be "things that star John Simm."

I could also include Sarah Jane Smith finding the TARDIS in School Reunion. 10 in the wardrobe in the Christmas Invasion. 9 and Rose dancing. And the part of Doomsday before Bad Wolf Bay (the hugging the wall bit). No wonder I'm a Doctor Who fan. That show is MADE for watching only the many isolated moments of brilliance while disregarding the crap around it.

Josh Lyman breaks down during Yo Yo Ma


Nothing beats this. I don't care how the editing put awkward repeats and cuts into the piece. (I do care about the awkward repeats and cuts in the piece) Still.

Dana & Casey's first kiss


Only schmoopy romantic one on here!

Once More With Feeling is disqualified. Because I really do watch that as songs. Because they are.

The Firefly theme song. Yes.

Whatever man, it's a great opening sequence. It's all about that shot at the end of the Serenity zipping over the horses.

Not everything is about you, Mulder

The only one with no music cue on the list. Viva la MASHEO.